Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 157
... move and speak as Romeo must move and speak as part and parcel of the design — this design which I have already pointed out to you as having a definite form . He must move across our sight in a certain way , passing to a certain point ...
... move and speak as Romeo must move and speak as part and parcel of the design — this design which I have already pointed out to you as having a definite form . He must move across our sight in a certain way , passing to a certain point ...
Page 177
... move- ment , but this must be as natural as the logical stresses in poetry . 2. Maeterlinck's pictures have an archaic quality , as in icons . Arkel , as from a painting by Ambrogio Borgonione . Gothic arches . Wooden statues shining ...
... move- ment , but this must be as natural as the logical stresses in poetry . 2. Maeterlinck's pictures have an archaic quality , as in icons . Arkel , as from a painting by Ambrogio Borgonione . Gothic arches . Wooden statues shining ...
Page 395
... moves are given to him literally : " On this line you move downstage , then you will not be masking , and you will be ready for your next cue . " This kind of production is carefully planned in advance like a military campaign , even to ...
... moves are given to him literally : " On this line you move downstage , then you will not be masking , and you will be ready for your next cue . " This kind of production is carefully planned in advance like a military campaign , even to ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words