Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 188
... realism " is to me pure and simple realism . VAKHTANGOV : Let us try now to point out the difference between naturalism and realism . ZAKHAVA : In my opinion , naturalism reproduces precisely what the artist observes in actuality ...
... realism " is to me pure and simple realism . VAKHTANGOV : Let us try now to point out the difference between naturalism and realism . ZAKHAVA : In my opinion , naturalism reproduces precisely what the artist observes in actuality ...
Page 190
... realistic manner . He will not permit the singer to come out to the footlights . Now , in Anthony we have mixed forms : the convention of external setting , realism and fantastic realism . Naturalism is completely ab- sent . Of ...
... realistic manner . He will not permit the singer to come out to the footlights . Now , in Anthony we have mixed forms : the convention of external setting , realism and fantastic realism . Naturalism is completely ab- sent . Of ...
Page 191
... realism . In the Moscow Art Theater production of The Inspector General we have Volkov play- ing the role of Osip as a naturalistic character , Lilina and others as realistic , but Khlestakov acted by Chekhov is already a character in ...
... realism . In the Moscow Art Theater production of The Inspector General we have Volkov play- ing the role of Osip as a naturalistic character , Lilina and others as realistic , but Khlestakov acted by Chekhov is already a character in ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words