Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 82
... scenery . That relation must be correct . Directors are frequently remiss in not paying enough attention to the actor's relation to the scenery - the trees , buildings , etc. , which are painted in perspective . It is of course ...
... scenery . That relation must be correct . Directors are frequently remiss in not paying enough attention to the actor's relation to the scenery - the trees , buildings , etc. , which are painted in perspective . It is of course ...
Page 133
... scenery in my shop , artists have been painting it at their studios , electricians have been making the paraphernalia for the lighting effects , property men have been manufacturing or buying the various objects needed in their ...
... scenery in my shop , artists have been painting it at their studios , electricians have been making the paraphernalia for the lighting effects , property men have been manufacturing or buying the various objects needed in their ...
Page 177
... scenery altogether ) . And just as plastic movements were used to bring out inner feelings , so scenery was painted which would not detract from these movements . The spectator's concentration had to be focused on motion ; for that ...
... scenery altogether ) . And just as plastic movements were used to bring out inner feelings , so scenery was painted which would not detract from these movements . The spectator's concentration had to be focused on motion ; for that ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words