Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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... sound, the experience or perception of sound, the physical effect of sound, or the residual traces of sonic activity as its primary material and does not fit squarely within the confines and traditions of existing artistic genres. Is ...
... sound, the experience or perception of sound, the physical effect of sound, or the residual traces of sonic activity as its primary material and does not fit squarely within the confines and traditions of existing artistic genres. Is ...
Page 92
Answer Key Sound Activity #1: Where Does Sound Come From? (Page 9) 1. It bounces around. 4. The sound was produced by VIBRATIONS. Part 2: 2. I hear a sound when I blow in the whistle. 4. Another way that sound can be produced is by ...
Answer Key Sound Activity #1: Where Does Sound Come From? (Page 9) 1. It bounces around. 4. The sound was produced by VIBRATIONS. Part 2: 2. I hear a sound when I blow in the whistle. 4. Another way that sound can be produced is by ...
Page 443
... Sound " quoted , 48 . his account of Arago's observa- tion on velocity of sound , 308 . - MUS Le Conte - continued . sounds on the flame of a jet of coal - gas , 427 , 432 . Lenses , refraction of sound by , 49 . Light , analogy between ...
... Sound " quoted , 48 . his account of Arago's observa- tion on velocity of sound , 308 . - MUS Le Conte - continued . sounds on the flame of a jet of coal - gas , 427 , 432 . Lenses , refraction of sound by , 49 . Light , analogy between ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words