Directors on Directing: A Source Book of the Modern Theatre |
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Page 216
... approach or draw away from a given point on the stage. Once the stage is set
in accordance with the needs of the action as envisaged in its broad lines, the
action itself must be organized, act by act, scene by scene, speech by speech,
down ...
... approach or draw away from a given point on the stage. Once the stage is set
in accordance with the needs of the action as envisaged in its broad lines, the
action itself must be organized, act by act, scene by scene, speech by speech,
down ...
Page 258
Gorky talked, then suddenly would interrupt his speech, and in the pause would
stare at the faces of his eager young listeners encircling him in a tight ring. The
young people answered him with the same thoughts, the same feelings. What
was ...
Gorky talked, then suddenly would interrupt his speech, and in the pause would
stare at the faces of his eager young listeners encircling him in a tight ring. The
young people answered him with the same thoughts, the same feelings. What
was ...
Page 276
It is all very well for the playwright to indicate that a speech be said "angrily" or "
with a sob" or in a "high querulous treble." He will frequently find that if his
directions are followed literally, the results will be ludicrous. The actor and
director ...
It is all very well for the playwright to indicate that a speech be said "angrily" or "
with a sob" or in a "high querulous treble." He will frequently find that if his
directions are followed literally, the results will be ludicrous. The actor and
director ...
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Contents
Helen Krich Chinoy | 3 |
Chorusteacher at work | 4 |
A medieval mystery play | 5 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brahm Brecht character Chekhov classical color Copeau costumes Craig create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel gestures give Harold Clurman Hippolytus idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Littlewood Kattrin Kostilyoff light lines live look Luka Mayor means method Meyerhold mise en scene modern Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov objective orchestra painted peasant Pepel performance Phaedra play Playgoer playwright possible production realism realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator Stage-Director stand Stanislavsky Stanley Stella style super-objective technique Theatre Libre theatrical thing tion truth unity Vakhtangov Vassilisa voice Vsevolod Meyerhold whole words
Bibliographic information
| Title | Directors on Directing: A Source Book of the Modern Theatre |
| Editors | Toby Cole, Helen Krich Chinoy |
| Edition | 2, reprint, revised |
| Publisher | Bobbs-Merrill, 1963 |
| Original from | the University of Virginia |
| Digitized | 2 Aug 2008 |
| ISBN | 0672606224, 9780672606229 |
| Length | 464 pages |
| Export Citation | BiBTeX EndNote RefMan |