Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
From inside the book
Results 1-3 of 33
Page 33
... truth was at the time merely external ; it was the truth of objects , furniture , costumes , stage prop- erties , light and sound effects , the reproduction of the typical fea- tures of a stage character and his external , physical life ...
... truth was at the time merely external ; it was the truth of objects , furniture , costumes , stage prop- erties , light and sound effects , the reproduction of the typical fea- tures of a stage character and his external , physical life ...
Page 186
... truth . This quest after truth led him to the truth of inner experiences , that is , he began to demand a genuine , natural inner experience upon the stage , forgetting that the actor's inner experience must be conveyed to the ...
... truth . This quest after truth led him to the truth of inner experiences , that is , he began to demand a genuine , natural inner experience upon the stage , forgetting that the actor's inner experience must be conveyed to the ...
Page 187
... truth with truth , water with water , grouse with grouse , while Meyer- hold removed truth altogether , that is , he left the dish , the method of preparing it , but he prepared paper and not a grouse . And so he obtained paper feelings ...
... truth with truth , water with water , grouse with grouse , while Meyer- hold removed truth altogether , that is , he left the dish , the method of preparing it , but he prepared paper and not a grouse . And so he obtained paper feelings ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
29 other sections not shown
Other editions - View all
Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words