Directors on Directing: A Source Book of the Modern TheaterToby Cole, Helen Krich Chinoy |
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Page 108
... voice : in the latter she still has much to learn , in the way in which she builds her speeches as well as in an intelligent use of her rich organ . At the present time , she often forces her voice ; and if we criticize it , it is not ...
... voice : in the latter she still has much to learn , in the way in which she builds her speeches as well as in an intelligent use of her rich organ . At the present time , she often forces her voice ; and if we criticize it , it is not ...
Page 163
... VOICE . Is it not very simple ? And when I say action , I mean both gesture and dancing , the prose and poetry of action . When I say scene , I mean all which comes before the eye , such as the lighting , costume , as well as the ...
... VOICE . Is it not very simple ? And when I say action , I mean both gesture and dancing , the prose and poetry of action . When I say scene , I mean all which comes before the eye , such as the lighting , costume , as well as the ...
Page 361
... voice- a tragedienne's voice - but without false heroics . The grandeur must all come from within . They who have lit this fire within my veins , - The gods who take their barbarous delight In leading some poor mortal heart astray ! Nay ...
... voice- a tragedienne's voice - but without false heroics . The grandeur must all come from within . They who have lit this fire within my veins , - The gods who take their barbarous delight In leading some poor mortal heart astray ! Nay ...
Contents
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Vladimir NemirovichDanchenko | 119 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression feel Frankie gestures give Harold Clurman Hippolytus human idea imagination inner interpretation Jean Vilar Jean-Louis Barrault Joan Kattrin Kostilyoff light lines live look Luka MAYOR means method Meyerhold mise en scène Molière mood Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words