Contemporary Feminist Theatres: To Each Her OwnContemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance. Based on original research and fresh data, Contemporary Feminst Theatres is a fully comprehensive and admirably clear analysis of a flourishing field of practice and inquiry. |
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To Each Her Own Lizbeth Goodman. CONTEMPORARY FEMINIST THEATRES To Each Her Own Lizbeth Goodman R 17.1)ndgm and New York First published 1993 by Routledge 11 New Fetter Lane, London.
To Each Her Own Lizbeth Goodman. CONTEMPORARY FEMINIST THEATRES To Each Her Own Lizbeth Goodman R 17.1)ndgm and New York First published 1993 by Routledge 11 New Fetter Lane, London.
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United States, both at the University of Rochester in New York and at Washington University in St Louis. Some of those people may nolonger remember me but without them,I might nothave continued my workin feminism and the theatre.
United States, both at the University of Rochester in New York and at Washington University in St Louis. Some of those people may nolonger remember me but without them,I might nothave continued my workin feminism and the theatre.
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Finallyand crucially,a handfulof peoplesawme througha difficult periodof personal and political upheaval. They encouraged the development not onlyofthe book, butalso of my life in theUK. For morethan words cansay:to myfamily inNew York.
Finallyand crucially,a handfulof peoplesawme througha difficult periodof personal and political upheaval. They encouraged the development not onlyofthe book, butalso of my life in theUK. For morethan words cansay:to myfamily inNew York.
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In New York,thiswould include productions at subsidizedvenues suchasthe performance complex at Lincoln Centre.The term 'mainstream commercial theatre' refers to thatbodyof largescale theatre funded and 'sold' in a primarily commercial ...
In New York,thiswould include productions at subsidizedvenues suchasthe performance complex at Lincoln Centre.The term 'mainstream commercial theatre' refers to thatbodyof largescale theatre funded and 'sold' in a primarily commercial ...
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Contents
Section 17 | lv |
Section 18 | lvii |
Section 19 | lxiii |
Section 20 | lxxxiii |
Section 21 | xcv |
Section 22 | xcvi |
Section 23 | ci |
Section 24 | cviii |
| xxiv | |
Section 10 | xxxiii |
Section 11 | xliv |
Section 12 | lxi |
Section 13 | lxxix |
Section 14 | lxxxii |
Section 15 | c |
Section 16 | c |
Section 25 | 5 |
Section 26 | 4 |
Section 27 | 8 |
Section 28 | 41 |
Section 29 | 526 |
Section 30 | 357 |
Section 31 | 180 |
Section 32 | 182 |
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Common terms and phrases
academic agitprop andthe Arts Council atthe audience author’s black women Books Brewster Britain Bryony Lavery bythe Cambridge Caroline Caryl Churchill Churchill’s collaborative collective commissioned company’s contemporary feminist context cultural representation defined devised director discussion Drama Evaki experience female feminism feminist criticism feminist theatre feminist theory fromthe funding Gay Sweatshop gender Gillian Hanna Graeae Griffin heterosexual idea images Including influenced interview inthe issues Jackie Kay Jill lesbian plays lesbian theatre literary Lizbeth London mainstream Methuen Michelene Wandor Monstrous Regiment offeminist oflesbian ofthe onthe Pam Gems performance art perspective playwrights practitioners production published rehearsed reading relationship Review roles Routledge Sarah Daniels script sexual politics Siren Sistren social stage SueEllen Susan Talawa Tash Fairbanks theatre companies Theatre Quarterly theatregoers theatrical theaudience theme theplay thetheatre Timberlake Wertenbaker tothe unpublished withthe woman Women’s Theatre Group workshops writing Written correspondence York Yvonne Brewster
Bibliographic information
| Title | Contemporary Feminist Theatres: To Each Her Own Gender in Performance |
| Author | Lizbeth Goodman |
| Publisher | Routledge, 2003 |
| ISBN | 1134906951, 9781134906956 |
| Length | 328 pages |
| Subjects | › › Performing Arts / General Performing Arts / Theater / General Performing Arts / Theater / History & Criticism |
| Export Citation | BiBTeX EndNote RefMan |