The Quarterly Review, Volume 27John Murray, 1822 - English literature |
From inside the book
Results 1-5 of 100
Page 14
... hand which was then in use : he was skilled , also , in illuminating books - that beautiful art not having gone out of use in his part of the country ; and he displayed a great aptitude for drawing . Where there exists any great manual ...
... hand which was then in use : he was skilled , also , in illuminating books - that beautiful art not having gone out of use in his part of the country ; and he displayed a great aptitude for drawing . Where there exists any great manual ...
Page 18
... hand , ( for he never employed an amanuensis , ) and all his greater works were written out four , five , or six times , before he committed them to the press . This he could not have done , unless he had withdrawn himself from all ...
... hand , ( for he never employed an amanuensis , ) and all his greater works were written out four , five , or six times , before he committed them to the press . This he could not have done , unless he had withdrawn himself from all ...
Page 26
... . This version of the Lusiad is said to have fallen , with other of his manuscripts , during the unsettled times of our anarchy , into unskilful unskilful hands , and to have been printed and published 26 Life and Writings of Camoens .
... . This version of the Lusiad is said to have fallen , with other of his manuscripts , during the unsettled times of our anarchy , into unskilful unskilful hands , and to have been printed and published 26 Life and Writings of Camoens .
Page 27
unskilful hands , and to have been printed and published without his consent or knowledge , and before he could give it his last finishing strokes . ' The dedication , which is dated in the year of its pub- lication , appears at first ...
unskilful hands , and to have been printed and published without his consent or knowledge , and before he could give it his last finishing strokes . ' The dedication , which is dated in the year of its pub- lication , appears at first ...
Page 29
... hands ; a British interest therefore might be excited by the translation . We were a com- mercial people , he presented the Lusiad as the epic poem of commerce ; and he recommended his work to the East India Com- pany , pany , by a ...
... hands ; a British interest therefore might be excited by the translation . We were a com- mercial people , he presented the Lusiad as the epic poem of commerce ; and he recommended his work to the East India Com- pany , pany , by a ...
Other editions - View all
Common terms and phrases
admiration American ancient appears architect architecture banks beautiful British called Camoens cause character command commander-in-chief considered consonant Coteau-du-lac court death digamma Dionysius doubt effect endeavoured enemy England English fact favour feeling force France friends give Glenvarloch Grecian Greek Homer honour hyænas Iliad island Isocrates king labour Lake Lake Ontario land language less letter Livy Lord Anson Lord Hardwicke Lusiad manner means Memoirs ment mind moral nation nature never Niagara Nigel object observed officers opinion oratory original Parthenon party Pasha passage Pelham perhaps persons poem poets political Portugueze possessed present probably produce racter readers reason river Roman Sackett's Harbour says Sheygya Sir George Prevost Sir James Yeo species style supposed temple thing tion troops truth Van Diemen's Land vowels Waddington Wady Halfa Walpole Walpole's whole words writers
Popular passages
Page 251 - Accordingly we find that, in every kingdom into which money begins to flow in greater abundance than formerly, everything takes a new face; labour and industry gain life ; the merchant becomes more enterprising, the manufacturer more diligent and skilful, and even the farmer follows his plough with greater alacrity and attention.
Page 330 - But the knowledge of nature is only half the task of a poet; he must be acquainted likewise with all the modes of life. His character requires that he estimate the happiness and misery of every condition, observe the power of all the passions in all their combinations and trace the changes of the human mind as they are modified by various institutions and accidental influences of climate or custom from the sprightliness of infancy to the despondence of decrepitude.
Page 322 - When sated with the martial show That peopled all the plain below, The wandering eye could o'er it go, And mark the distant city glow With gloomy splendour red ; For on the smoke-wreaths, huge and slow, That round her sable turrets flow, The morning beams were shed, And tinged them with a lustre proud, Like that which streaks a thunder-cloud. Such dusky grandeur clothed the height, Where the huge Castle holds its state, And all the deep slope down, Whose ridgy back heaves to the sky, Piled deep and...
Page 260 - Plates. 5s. 130. GRECIAN ARCHITECTURE^ An Inquiry into the Principles of Beauty in ; with an Historical View of the Rise and Progress of the Art in Greece. By the EARL OF ABERDEEN, is. *«* The two preceding Works in One handsome VoL, half bound, entitled "ANCIENT ARCHITECTURE,
Page 490 - The very first Of human life must spring from woman's breast, Your first small words are taught you from her lips, Your first tears quench'd by her, and your last sighs Too often breathed out in a woman's hearing, When men have shrunk from the ignoble care Of watching the last hour of him who led them.
Page 263 - Europe; or, a General Survey of the Present Situation of the Principal Powers, with Conjectures on Their Future Prospects...
Page 501 - Souls who dare use their immortality — Souls who dare look the Omnipotent tyrant in His everlasting face, and tell him that His evil is not good!
Page 389 - Shakes off her wonted firmness. Ah ! how dark Thy long-extended realms, and rueful wastes ! Where nought but silence reigns, and night, dark night, Dark as was chaos, ere the infant sun Was roll'd together, or had tried his beams Athwart the gloom profound.
Page 112 - Could the youth, to whom the flavour of his first wine is delicious as the opening scenes of life or the entering upon some newly-discovered paradise, look into my desolation, and be made to understand what a dreary thing it is when a man shall feel himself going down a precipice with open eyes and a passive will, — to see his destruction and have no power to stop it, and...
Page 502 - Is it not glorious ? Cain. Oh, thou beautiful And unimaginable ether ! and Ye multiplying masses of increased And still increasing lights ! what are ye ? what Is this blue wilderness of interminable Air, where ye roll along, as I have seen The leaves along the limpid streams of Eden...