The Ethical Function of Architecture

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MIT Press, Jul 31, 1998 - Architecture - 424 pages
Can architecture help us find our place and way in today's complex world? Can it return individuals to a whole, to a world, to a community? Developing Giedion's claim that contemporary architecture's main task is to interpret a way of life valid for our time, philosopher Karsten Harries answers that architecture should serve a common ethos. But if architecture is to meet that task, it first has to free itself from the dominant formalist approach, and get beyond the notion that its purpose is to produce endless variations of the decorated shed.

In a series of cogent and balanced arguments, Harries questions the premises on which architects and theorists have long relied—premises which have contributed to architecture's current identity crisis and marginalization. He first criticizes the aesthetic approach, focusing on the problems of decoration and ornament. He then turns to the language of architecture. If the main task of architecture is indeed interpretation, in just what sense can it be said to speak, and what should it be speaking about? Expanding upon suggestions made by Martin Heidegger, Harries also considers the relationship of building to the idea and meaning of dwelling.

Architecture, Harries observes, has a responsibility to community; but its ethical function is inevitably also political. He concludes by examining these seemingly paradoxical functions.

 

Contents

Postmodern Prelude
2
The Aesthetic Approach
16
Part
28
The Language Problem
84
Representation and Symbol
98
Representation and RePresentation
118
Tales of the Origin of Building
136
Building and Dwelling
152
Mold and Ruins
240
Death Love and Building
254
Architecture and Building
270
The Publicness of Architecture
284
Grave and Monument
292
The Representation of Life
312
Dreams of Utopia
326
Lessons of the Labyrinth
340

Space and Place
168
The Voices of Space
180
Learning from Two Invisible Houses
202
Building Dwelling and Time
214
The Terror of Time and the Love of Geometry
228
The Shape of Modernity and
352
Notes
368
Index
396
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About the author (1998)

Karsten Harries is Professor of Philosophy at Yale University.

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