Programme, Issues 16-18The Orchestra, 1915 |
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Page 955
... performance to be formed before the doors were open . This desire was jus- tified , for doubtless many in the audi- ence had no idea that a man could draw such perfect tones from a violoncello . It is hard to keep , from a panegyric ...
... performance to be formed before the doors were open . This desire was jus- tified , for doubtless many in the audi- ence had no idea that a man could draw such perfect tones from a violoncello . It is hard to keep , from a panegyric ...
Page 961
... performance of each number on the programme . Those who wish to leave before the end of the concert are requested to do so in an interval between the numbers . City of Boston , Revised Regulation of August 5 , 1898. - Chapter 3 ...
... performance of each number on the programme . Those who wish to leave before the end of the concert are requested to do so in an interval between the numbers . City of Boston , Revised Regulation of August 5 , 1898. - Chapter 3 ...
Page 972
... performance Tschaikowsky wrote his brother Modest : " There has already been one rehearsal . The piece does not seem to be ugly . As for the rest that is known only to the dear Lord ! " The first performance of the overture was on March ...
... performance Tschaikowsky wrote his brother Modest : " There has already been one rehearsal . The piece does not seem to be ugly . As for the rest that is known only to the dear Lord ! " The first performance of the overture was on March ...
Page 974
... performance of " Romeo and Juliet " in America was by the Philharmonic Society of New York , Carl Bergmann conductor , April 22 , 1876. The first performance in Boston was by the Boston Sym- phony Orchestra , February 8 , 1890 . The ...
... performance of " Romeo and Juliet " in America was by the Philharmonic Society of New York , Carl Bergmann conductor , April 22 , 1876. The first performance in Boston was by the Boston Sym- phony Orchestra , February 8 , 1890 . The ...
Page 980
... performances of " Ormazd " were by the St. Louis Symphony Orchestra , Mr. Max Zach , conductor , in the Odeon , St. Louis , January 26 and 27 , 1912. The first performance in Boston was at a concert of the Boston Symphony Orchestra ...
... performances of " Ormazd " were by the St. Louis Symphony Orchestra , Mr. Max Zach , conductor , in the Odeon , St. Louis , January 26 and 27 , 1912. The first performance in Boston was at a concert of the Boston Symphony Orchestra ...
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Common terms and phrases
Accompanist AFTERNOON Allegro April artistic Back Bay Balakireff bass bassoons Beethoven Berlioz Böcklin Borodin Boston Symphony Orchestra BOYLSTON STREET Brahms BROOKLINE Telephone cello chamber music clarinets composed composition concert conductor Conservatory Copley Sq Copley Square CORRIDOR d'Indy Dances December English horn fantasia February flutes French G minor GERHARDT German Harold in Italy harp HOTEL HUNTINGTON AVENUE Huntington Avenue Boston INSTRUCTION Miss January KARL MUCK Lalo Liszt major Mason & Hamlin Mass MASSACHUSETTS AVENUE melody movement Mozart November oboes Organist Ormazd overture Paganini Paris performance in Boston PIANIST and TEACHER piano pianoforte played poem PROGRAMME published pupil Quartet RECITALS Rimsky-Korsakoff Roi d'Ys Room Russian score second theme solo viola sonata songs STEINERT HALL Steinway Street BOSTON strings sung SYMPHONY HALL TEACHER OF SINGING THIRTY-FOURTH SEASON Thursday Tickets tone trombones Tschaikowsky VICTOR HARRIS viola violin violinist violoncello voice Voiles wood-wind wrote York