Programme, Issues 16-18The Orchestra, 1915 |
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Page 964
... ( second subject , in D - flat major ) , succeeded by the elaboration of both subjects . The so - called ' development'- that is to say , the putting together of the various themes in various forms - passes over to what is called , in ...
... ( second subject , in D - flat major ) , succeeded by the elaboration of both subjects . The so - called ' development'- that is to say , the putting together of the various themes in various forms - passes over to what is called , in ...
Page 968
... theme is of a wholly different character , in the style of a quar- tet by ... second in D - flat is simply wonderful . I often play it , and I could kiss ... theme : there is too little inner , psychical love , but rather fantastical ...
... theme is of a wholly different character , in the style of a quar- tet by ... second in D - flat is simply wonderful . I often play it , and I could kiss ... theme : there is too little inner , psychical love , but rather fantastical ...
Page 969
... theme , I admit , has its weaknesses ; it is morbid and too sentimental toward the end , but the ground - mood is exceedingly well caught . I await impatiently the whole score for a just view of your overture , which is ... second theme. 969.
... theme , I admit , has its weaknesses ; it is morbid and too sentimental toward the end , but the ground - mood is exceedingly well caught . I await impatiently the whole score for a just view of your overture , which is ... second theme. 969.
Page 970
Boston Symphony Orchestra. the whole part after the end of the second theme ( D major ) is , as it were , pulled violently out of the head . The very end itself is not bad , but why these blows in the last measures ? They contradict the ...
Boston Symphony Orchestra. the whole part after the end of the second theme ( D major ) is , as it were , pulled violently out of the head . The very end itself is not bad , but why these blows in the last measures ? They contradict the ...
Page 972
... themes . His Oriental fantasia ' Islamei , " for pianoforte , is well known in this country , and his ... Theme of a Spanish March , at a concert of the Boston Symphony Orchestra , November 25 , 1911. Among his latest works were a second ...
... themes . His Oriental fantasia ' Islamei , " for pianoforte , is well known in this country , and his ... Theme of a Spanish March , at a concert of the Boston Symphony Orchestra , November 25 , 1911. Among his latest works were a second ...
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Common terms and phrases
Accompanist AFTERNOON Allegro April artistic Back Bay Balakireff bass bassoons Beethoven Berlioz Böcklin Borodin Boston Symphony Orchestra BOYLSTON STREET Brahms BROOKLINE Telephone cello chamber music clarinets composed composition concert conductor Conservatory Copley Sq Copley Square CORRIDOR d'Indy Dances December English horn fantasia February flutes French G minor GERHARDT German Harold in Italy harp HOTEL HUNTINGTON AVENUE Huntington Avenue Boston INSTRUCTION Miss January KARL MUCK Lalo Liszt major Mason & Hamlin Mass MASSACHUSETTS AVENUE melody movement Mozart November oboes Organist Ormazd overture Paganini Paris performance in Boston PIANIST and TEACHER piano pianoforte played poem PROGRAMME published pupil Quartet RECITALS Rimsky-Korsakoff Roi d'Ys Room Russian score second theme solo viola sonata songs STEINERT HALL Steinway Street BOSTON strings sung SYMPHONY HALL TEACHER OF SINGING THIRTY-FOURTH SEASON Thursday Tickets tone trombones Tschaikowsky VICTOR HARRIS viola violin violinist violoncello voice Voiles wood-wind wrote York