Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 - Criticism |
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Page 14
... next in order , is to confider the mufic of words as united in a period . And as the arrangement of words in fucceffion fo as to af- ford ford the greatest pleasure to the ear , depends on 14 BEAUTY OF LANGUAGE . Ch . XVIII .
... next in order , is to confider the mufic of words as united in a period . And as the arrangement of words in fucceffion fo as to af- ford ford the greatest pleasure to the ear , depends on 14 BEAUTY OF LANGUAGE . Ch . XVIII .
Page 18
... arrangement of the members of different pe- riods with relation to each other , That to avoid a tedious uniformity of found , and cadence , the arrangement , the cadence , and the length of thefe members , ought to be diverfified as ...
... arrangement of the members of different pe- riods with relation to each other , That to avoid a tedious uniformity of found , and cadence , the arrangement , the cadence , and the length of thefe members , ought to be diverfified as ...
Page 19
... arrangement of these words ; the former refembling the ftones that compofe a building , and the latter refembling the order in which these stones are placed . Hence the beau- ties of language with refpect to its meaning , may not ...
... arrangement of these words ; the former refembling the ftones that compofe a building , and the latter refembling the order in which these stones are placed . Hence the beau- ties of language with refpect to its meaning , may not ...
Page 20
... arrangement . : And with respect to the former , communica- tion of thought being the principal end of lan- guage , it is a rule , That perfpicuity ought not to be facrificed to any other beauty whatever if it should be doubted whether ...
... arrangement . : And with respect to the former , communica- tion of thought being the principal end of lan- guage , it is a rule , That perfpicuity ought not to be facrificed to any other beauty whatever if it should be doubted whether ...
Page 44
... arrangement of the words or ma- terials . This branch of the fubject is not lefs nice than extenfive ; and I despair to put it in a clear light , except to thofe who are well acquainted with the general principles that govern the struc ...
... arrangement of the words or ma- terials . This branch of the fubject is not lefs nice than extenfive ; and I despair to put it in a clear light , except to thofe who are well acquainted with the general principles that govern the struc ...
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abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
Popular passages
Page 184 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
Page 327 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 234 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Page 277 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
Page 234 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 312 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 235 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
Page 332 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Page 432 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Page 277 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...