The dramatic works of William Shakspeare, with notes original and selected by S.W. Singer, and a life of the poet by C. Symmons, Part 25, Volume 10 |
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Page 34
I fear , too early ; for my mind misgives , Some consequence , yet hanging in the
stars , Shall bitterly begin his fearful date With this night ' s revels ; and expire 23
the term Of a despised life , clos ' d in my breast , By some vile forfeit of untimely ...
I fear , too early ; for my mind misgives , Some consequence , yet hanging in the
stars , Shall bitterly begin his fearful date With this night ' s revels ; and expire 23
the term Of a despised life , clos ' d in my breast , By some vile forfeit of untimely ...
Page 74
Romeo , the hate 1 bear thee , can afford No better term than this — Thou art a
villain . Rom . Tybalt , the reason that I have to love thee Doth much excuse the
appertaining rage To such a greeting : - Villain am I none. 4 To comprehend ...
Romeo , the hate 1 bear thee , can afford No better term than this — Thou art a
villain . Rom . Tybalt , the reason that I have to love thee Doth much excuse the
appertaining rage To such a greeting : - Villain am I none. 4 To comprehend ...
Page 192
To let , in old language is to hinder , to stay , to obstruct ; and still a current term in
leases and other legal instruments . 24 Marcellus answers Horatio ' s question , "
To what issue will this come ? ? and Horatio also answers it himself with pious ...
To let , in old language is to hinder , to stay , to obstruct ; and still a current term in
leases and other legal instruments . 24 Marcellus answers Horatio ' s question , "
To what issue will this come ? ? and Horatio also answers it himself with pious ...
Page 240
12 The allusion is to the term quietus est , used in settling accounts at exchequer
audits . Thus Webster in his Dutchess of Malfy :• You had the trick in audit time to
be sick , Till I had sign ' d your quietus . ' And , more appositely , in Sir Thomas ...
12 The allusion is to the term quietus est , used in settling accounts at exchequer
audits . Thus Webster in his Dutchess of Malfy :• You had the trick in audit time to
be sick , Till I had sign ' d your quietus . ' And , more appositely , in Sir Thomas ...
Page 301
Our old English term refrette , ' the foote of the dittie , a verse often interlaced , or
the burden of a song , ' was probably from refrain ; or from refresteler , to pipe
over again . It is used by Chaucer in The Testament of Love . This term was not ...
Our old English term refrette , ' the foote of the dittie , a verse often interlaced , or
the burden of a song , ' was probably from refrain ; or from refresteler , to pipe
over again . It is used by Chaucer in The Testament of Love . This term was not ...
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Common terms and phrases
affection ancient appears bear beauty blood CAPULET Cassio comes common copy dead dear death Desdemona doth earth Emil Enter Exeunt Exit expression eyes face fair fall father fear folio fortune give gone Hamlet hand hast hath head hear heart heaven hold honest I'll Iago Juliet keep kind King lady leave letter light live look lord madness married matter means mind Moor mother nature never night Nurse observed Othello passage play poet poor pray present quarto Queen reads reason Romeo scene seems sense Shakspeare soul speak speech spirit stand Steevens sweet sword tell term thee thing thou thought true wife young
Popular passages
Page 247 - O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably.
Page 50 - And yet I wish but for the thing I have: My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
Page 378 - She'd come again, and with a greedy ear Devour up my discourse: Which I observing, Took once a pliant hour; and found good means To draw from her a prayer of earnest heart, That I would all my pilgrimage dilate.
Page 264 - Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music, excellent voice, in this little organ ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe ? Call me what instrument you will, though you can fret me, you cannot play upon me.
Page 340 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all.
Page 174 - That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on ; and yet, within a month — Let me not think on't. — Frailty, thy name is woman ! A little month!
Page 286 - Not where he eats, but where he is eaten. A certain convocation of [politic] worms* are e'en at him. Your worm is your only emperor for diet. We fat all creatures else to fat us, and we fat ourselves for maggots.
Page 341 - I've done you wrong ; But pardon 't, as you are a gentleman. This presence knows, And you must needs have heard, how I am punish'd With sore distraction. What I have done, That might your nature, honour, and exception, Roughly awake, I here proclaim was madness. Was't Hamlet wrong'd Laertes ? Never Hamlet : If Hamlet from himself be ta'en away, And when he's not himself does wrong Laertes, Then Hamlet does it not ; Hamlet denies it. Who does it then ? His madness. If't be so, Hamlet is of the faction...
Page 32 - Prick'd from the lazy finger of a maid. Her chariot is an empty hazel-nut , Made by the joiner squirrel , or old grub , Time out of mind the fairies' coach-makers. And in this state she gallops night by night Through lovers...
Page 247 - ... twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form and pressure.
Bibliographic information
| Title | The dramatic works of William Shakspeare, with notes original and selected by S.W. Singer, and a life of the poet by C. Symmons, Part 25, Volume 10 The dramatic works of William Shakspeare, with notes original and selected by S.W. Singer, and a life of the poet by C. Symmons, Samuel Weller Singer |
| Author | William Shakespeare |
| Editor | Samuel Weller Singer |
| Published | 1826 |
| Original from | Oxford University |
| Digitized | 13 Sep 2007 |
| Export Citation | BiBTeX EndNote RefMan |