"Maracatu Atômico": Tradition, Modernity, and Postmodernity in the Mangue Movement of Recife, Brazil

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Psychology Press, 2002 - Music - 228 pages

"Maracatu Atômico" is the first academic work to investigate the mangue movement, one of Brazil's most vital pop culture trends of the last thirty years, and the related "new music scene" of Northeast Brazil. Contending with the widespread poverty and social problems, mangue places a renewed value on the local environment and its myriad folk traditions while embracing modern, global pop influences and technology. The book provides historical and ethnographic accounts of the movement, analyzes salient examples of folk and pop fusion music, and enters recent debates about postmodernity, globalization, and "world music" in an attempt to understand better how local musicians in one "Third World" region interact within a more global cultural system.

 

Contents

Introduction
1
Theoretical Orientation
10
Research Methods and Fieldwork Synopsis
17
A History
27
The Emergence of Chico Science and Nação Zumbi
37
New Folkloric Associations
40
The Manifesto Mangue
43
Mangue Postmodernity and the Global Culture Debate
49
Appendices
127
Song Notes
157
Fieldwork Account
163
29
173
37
187
167
192
47
197
Copyright

Mangue and the Global Culture Debate
119

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About the author (2002)

Philip Galinsky, PhD is Director of Samba New York!

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