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" Venus and Cupid ; a Holy Family. Louvre, Coronation of the Virgin. COSSALE, GRAZIO, of Brescia, painted 1594-1612. Venetian School. He painted on a large scale, in the style of Palma Giovane. The churches of Brescia still contain many of his works. In... "
Biographical catalogue of the principal Italian painters, by a lady [M ... - Page 50
by Maria Farquhar - 1855
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The Picture Collector's Manual: Dictionary of names

James R. Hobbes - Painters - 1849 - 552 pages
...; master unknown ; in style resembles Parma, but without a servile adherence ; his principal works are, the Adoration of the Magi, and the Presentation in the Temple, at Brescia: died about 1610. COR 106 сoт CosiMo (Pietro da), born at Florence, 1441; was a disciple...
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Biographical Catalog of the Principal Italian Painters: With a Table of the ...

Maria Farquhar - Artists - 1855 - 240 pages
...eccentricities, more especially after the death of Cosimo Roselli, about 1506. Works. Florence, Uffizj, the Story of Perseus and Andromeda, in four pictures...error. He is reported to have been shot by his own son. (В год noli.) : COSTA, FRANCESCO, 6. at Genoa, 1672, d. 1740. Genoese School. A pupil of Gregorio...
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Biographical Catalog of the Principal Italian Painters: With a Table of the ...

Maria Farquhar - Painters - 1855 - 242 pages
...Berlin Museum, Venus and ' J Cupid ; a Holy Family. Louvre, Coronation of the Virgin. COSSALE, GBAZIO, of Brescia, painted 1594-1612. Venetian School. He...error. He is reported to have been shot by his own son. (Brognol¡.)¡ COSTA, FRANCESCO, b. at Genoa, 1672, d. 1T40. Genoese School. A pupil of Gregorio Ferrari,...
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American Journal of Archaeology: The Journal of the ..., Volume 2; Volume 13

Archaeology - 1909 - 612 pages
...embroidery from the chapel at Chambon, now in the museum at Tulle. The subjects of the two most important are the Adoration of the Magi and the Presentation in the Temple. These are companion pieces, each 52 cm. long and 28 cm. high, and date probably from the fourteenth...
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Bryan's Dictionary of Painters and Engravers, Volume 3

Michael Bryan - Engravers - 1904 - 610 pages
...be true. These points of resemblance are, however, almost entirely confined to pictures representing the Adoration of the Magi and the Presentation in the Temple, and it is noteworthy that a triptych by Roger with these subjects and the Annunciation, now in the Gallery...
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American Journal of Archaeology: The Journal of the ..., Volume 13

Archaeology - 1909 - 582 pages
...embroidery from the chapel at Chambon, now in the museum at Tulle. The subjects of the two most important are the Adoration of the Magi and the Presentation in the Temple. These are companion pieces, each 52 cm. long and 28 cm. high, and date probably from the fourteenth...
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The Development of the Italian Schools of Painting, Volume 4

Raimond van Marle - Painting - 1924 - 560 pages
...carrying a crook, and St. Francis The two scenes one above the other at either side are, to the left, the Adoration of the Magi and the Presentation in the Temple and to the right the Last Supper — which takes place at a round table — and the Betrayal of Judas....
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Bryan's Dictionary of Painters and Engravers, Volume 3

Michael Bryan - Engravers - 1927 - 628 pages
...be true. These points of resemblance are, however, almost entirely confined to pictures representing the Adoration of the Magi and the Presentation in the Temple, and it is noteworthy that a triptych by Roger with these subjects and the Annunciation, now in the Gallery...
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