Recollections of Italy, England and America: With Essays on Various Subjects, in Morals and Literature |
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Page viii
... Louis XIV . 298 318 On Men of Letters Speech composed by M. De Chateaubriand for his reception as a Member of the Imperial Institute of France Defence of the Beauties of Christianity 333 345 THE EDITOR'S PREFACE . IF the reputation of M ...
... Louis XIV . 298 318 On Men of Letters Speech composed by M. De Chateaubriand for his reception as a Member of the Imperial Institute of France Defence of the Beauties of Christianity 333 345 THE EDITOR'S PREFACE . IF the reputation of M ...
Page 30
... Louis XIV experienced . Our great prince sur- vived his cotemporaries awhile , and was the last who de- scended to the grave , as if to be certain that nothing re- mained behind him . * There he greeted with flowers and wine the genius ...
... Louis XIV experienced . Our great prince sur- vived his cotemporaries awhile , and was the last who de- scended to the grave , as if to be certain that nothing re- mained behind him . * There he greeted with flowers and wine the genius ...
Page 110
... Louis XIV . had not sufficient vivacity in their style , and betrayed a poverty of conception . According to the others , all this pretended vivacity , all these efforts of the present day , to- wards the attainment of new ideas , are ...
... Louis XIV . had not sufficient vivacity in their style , and betrayed a poverty of conception . According to the others , all this pretended vivacity , all these efforts of the present day , to- wards the attainment of new ideas , are ...
Page 112
... Louis XIV ? Was not the art of painting nature , as it is now termed , almost unknown at that time ? Why should it not be admitted that the style of the present day has really assumed a more perfect form , that the liberty of discussing ...
... Louis XIV ? Was not the art of painting nature , as it is now termed , almost unknown at that time ? Why should it not be admitted that the style of the present day has really assumed a more perfect form , that the liberty of discussing ...
Page 197
... Louis XIV , you would doubtless reproach me with being altogether extravagant . I will confess that , on this subject I , harbour a superstition almost ridiculous . I fall * Several passages of Ossian are evident imitations from the ...
... Louis XIV , you would doubtless reproach me with being altogether extravagant . I will confess that , on this subject I , harbour a superstition almost ridiculous . I fall * Several passages of Ossian are evident imitations from the ...
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admiration ancient appears beautiful Bonald Bossuet called character charms Chateaubriand Christian Cicero clouds death descended descriptive poetry desert earth England English eyes fancy father feel forests France French Gauls genius grandeur happy heart Heaven human ideas imagination inglorius inhabitants king labours lake letters Liternum Livy Louis XIV Mackenzie Madame Madame de Staël mankind melancholy midst mind misfortunes Molière moral mountains Muses nation nature never night noble object observed opinion Ossian passage passed passions Peace River perceived philosophy poet poetry possess recollection reign religion religious rendered river rocks Roman Rome Romeo and Juliet ruins savages scene sentiment Servoz Shakspeare side society solitude soul speak sublime summits tain talents taste tears Teverone thing thou thought tion tomb traveller trees truth valley Vesuvius Villa Villa Adriana Virgil virtue Voltaire wandering wish writings young
Popular passages
Page 101 - MAN, that is born of a woman, hath but a short time to live, and is full of misery. He cometh up, and is cut down like a flower ; he fleeth as it were a shadow, and never continueth in one stay.
Page 79 - They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand; the gate With dreadful faces thronged and fiery arms. Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide. They, hand in hand, with wandering steps and slow, Through Eden took their solitary way.
Page 96 - But I must also feel it as a man: I cannot but remember such things were, That were most precious to me. Did heaven look on, And would not take their part?
Page 77 - From short, (as usual) and disturbed repose, I wake: how happy they who wake no more! Yet that were vain, if dreams infest the grave.
Page 98 - It was the lark, the herald of the morn, No nightingale : look, love, what envious streaks Do lace the severing clouds in yonder east : Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops.
Page 111 - AH ! who can tell how hard it is to climb The steep where Fame's proud temple shines afar; Ah! who can tell how many a soul sublime Has felt the influence of malignant star, And waged with Fortune an eternal war; Check'd by the scoff of Pride, by Envy's frown, And Poverty's unconquerable bar, In life's low vale remote has pined alone, Then dropt into the grave, unpitied and unknown...
Page 85 - Sweet harmonist ! and beautiful as sweet ! And young as beautiful ! and soft as young ! And gay as soft ! and innocent as gay ! And happy (if aught happy here) as good ! For Fortune fond, had built her nest on high.
Page 103 - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the course of the world, in which the loss of one is the gain of another...
Page 114 - Oft did the cliffs reverberate the sound Of parted fragments tumbling from on high; And from the summit of that craggy mound The perching eagle oft was heard to cry, Or on resounding wings to shoot athwart the sky.
Page 92 - ... an usurper and a murderer not only odious but despicable, he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.