A Rhetorical Grammar: In which the Common Improprieties in Reading and Speaking are Detected and the True Sources of Elegant Pronunciation are Pointed Out. With a Complete Analysis of the Voice ... and the Several Figures of Rhetoric. To which are Added Outlines of Composition, Or Plain Rules for Writing Orations and Speaking Them in Public |
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Page 64
But if , either from the necessity of drawing breath , or of more strongly enforcing
every part of this sentence , we were to admit of more pauses than these , it
cannot be denied , that , for this purpose , some places more readily admit of a
pause ...
But if , either from the necessity of drawing breath , or of more strongly enforcing
every part of this sentence , we were to admit of more pauses than these , it
cannot be denied , that , for this purpose , some places more readily admit of a
pause ...
Page 70
Correct reading would admit of a pause in the first example at circumstance , and
, in the last , rather at diffusion than at luxuriancy . RULE XIII . Who and which ,
when relative pronouns , and that , when it stands for who and which , always ...
Correct reading would admit of a pause in the first example at circumstance , and
, in the last , rather at diffusion than at luxuriancy . RULE XIII . Who and which ,
when relative pronouns , and that , when it stands for who and which , always ...
Page 146
Honest scorn , in the third line , is impassioned , and will admit of emphasis
above the accented words , as it may , very agreeably to the sense , be supposed
to have this antithesis : not merely with dislike , but with scorn . The word first , in
the ...
Honest scorn , in the third line , is impassioned , and will admit of emphasis
above the accented words , as it may , very agreeably to the sense , be supposed
to have this antithesis : not merely with dislike , but with scorn . The word first , in
the ...
Page 171
... is absolutely necessary to the harmony of those lines ; and that the sixth , by
admitting no pause but at understanding , and the seventh , none but at
imagination , border very nearly upon prose . The reason why these lines will not
admit of a ...
... is absolutely necessary to the harmony of those lines ; and that the sixth , by
admitting no pause but at understanding , and the seventh , none but at
imagination , border very nearly upon prose . The reason why these lines will not
admit of a ...
Page 234
Thus the word all has a full , bold , open sound , which will admit of being dwelt
upon longer than common , especially if the language is animated ; either when
emphatical , as in Satan ' s speech to Beelzebub , in Paradise Lost , What though
...
Thus the word all has a full , bold , open sound , which will admit of being dwelt
upon longer than common , especially if the language is animated ; either when
emphatical , as in Satan ' s speech to Beelzebub , in Paradise Lost , What though
...
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Contents
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Other editions - View all
A Rhetorical Grammar: In Which the Common Improprieties in Reading and ... Dr John Walker No preview available - 2016 |
A Rhetorical Grammar: In Which the Common Improprieties in Reading and ... John Walker No preview available - 2018 |
Common terms and phrases
accent action admit adopt answer appear arguments arises attention beauty beginning better called cause character Cicero common composition considered depends direct discourse distinct distinguished emphasis emphatical endeavour example express falling falling inflexion figure force former give greater hand heads higher idea importance instance kind language latter less likewise lower manner mark meaning mind nature necessary never object observed orator particular passage passion pause period person preceding present principal pronounced pronunciation proper question reader reading reason regard relates requires rest Rhetoric rising rising inflexion rule says seems sense sentence short slide sometimes sound speaker speaking style syllable taken thing third thought tion tone tone of voice turn variety verb verse virtue voice vowels whole words writing written
Popular passages
Page 231 - God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Page 31 - O thou, that, with surpassing glory crown'd, Look'st from thy sole dominion, like the god Of this new world; at whose sight all the stars Hide their diminish'd heads ; to thee I call, But with no friendly voice, and add thy name, 0 sun ! to tell thee how I hate thy beams...
Page 226 - And when the Sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown that Sylvan loves Of Pine, or monumental Oak, Where the rude Axe with heaved stroke, Was never heard the Nymphs to daunt, Or fright them from their hallow'd haunt.
Page 175 - When the proud steed shall know why man restrains His fiery course, or drives him o'er the plains ; When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt's god : Then shall man's pride and dulness comprehend His actions', passions', being's use and end ; Why doing, suffering, check'd, impell'd; and why This hour a slave, the next a deity.
Page 232 - OF Man's First Disobedience, and the Fruit Of that Forbidden Tree, whose mortal taste Brought Death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful Seat, Sing Heav'nly Muse...
Page 227 - Th' inferior priestess, at her altar's side, Trembling, begins the sacred rites of Pride. Unnumber'd treasures ope at once, and here The various offerings of the world appear ; From each she nicely culls with curious toil, And decks the goddess with the glittering spoil.
Page 160 - OF all the causes which conspire to blind Man's erring judgment, and misguide the mind, What the weak head with strongest bias rules, Is pride, the never-failing vice of fools.
Page 177 - Full many a gem of purest ray serene The dark unfathom'd caves of ocean bear : Full many a flower is born to blush unseen, And waste its sweetness on the desert air. Some village- Hampden, that, with dauntless breast, The little tyrant of his fields withstood, Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood. Th...
Page 169 - And wisely curb'd proud man's pretending wit. As on the land while here the ocean gains, In other parts it leaves wide sandy plains ; Thus in the soul while memory prevails, The solid pow'r of understanding fails ; Where beams of warm imagination play, The memory's soft figures melt away.
Page 207 - Muse ! that on the secret top Of Oreb, or of Sinai, didst inspire That shepherd, who first taught the chosen seed, In the beginning how the heavens and earth Rose out of Chaos.
Bibliographic information
| Title | A Rhetorical Grammar: In which the Common Improprieties in Reading and Speaking are Detected and the True Sources of Elegant Pronunciation are Pointed Out. With a Complete Analysis of the Voice ... and the Several Figures of Rhetoric. To which are Added Outlines of Composition, Or Plain Rules ... |
| Author | John Walker |
| Edition | 3 |
| Publisher | S. Hamilton, 1801 |
| Original from | the New York Public Library |
| Digitized | 25 May 2007 |
| Length | 392 pages |
| Export Citation | BiBTeX EndNote RefMan |