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laudation. Mr. Frank Mathews (under whose régime the house now is) plays with that cheery genial humour and refined vis comica which make this talented actor's impersonation of a character so thoroughly and artistically complete. With this piece, and Mr. Leicester Buckingham's adaptation of "The Merry Widow," this theatre, under its present management, presents one of the best evening's amusements in London. The success of both pieces has been in proportion to their undeniable merit, and with the elegant and conveniently-suited house and the capital company over which Mr. Frank Mathews rules, and which work so well together, and last, though by no means least, with his own sterling talent and worth, we have no doubt the St. James's will be highly prosperous.

W. R.

DRAMATIC, EQUESTRIAN, AND MUSICAL SICK-FUND ASSOCIATION. The annual dinner of this association took place on Ash-Wednesday, Mr. Sala in the chair. It is an admirable society, and any friends of the drama having spare funds at disposal cannot do better than swell its donation-list. The Secretary is J. Anson, Esq.; the offices (we believe at least) are at 35, Bow-street.-W. R.

ST. JAMES'S HALL.
SEVENTH CONCERT OF NATIONAL MELODIES.

the style of part song best adapted to a large
number of voices, and with which their united
power, naturally, as well as most melodiously,
dealt. The second part of the concert, with
one exception,-which for certain reasons we
pass over without comment was all that could
be desired in selection and execution. The
prayer from "Mosé in Egitto "-one of those
compositions that seem almost inspiration in a
more exalted sense than as it applies to genuine
genius, and which, if the story be true, was mi-
raculously suggested at the moment of Rossini's
supreme despair, and, written in a few minutes
-cannot be heard too often, and was given with
fine effect. Miss Banks sang with her usual
facility the songs accorded to her; and Madame
Lemaire excelled herself in her very delightful
rendering of "Non piu Meusta," through which
she warbled with excellent taste and artistic
execution. The great attraction of the concert
was of course the great Italian tenor whose name
figured so conspicuously on the programme,
and who certainly justified the sensation he ap
peared to create by his delicious vocalization of
Flatow's charming air, "M'appari," and the duet
from Verni's Trovatore, "Ai nostro Monti."
Of course the artiste was unanimously encored,
and equally of course, having private reasons for
complacency, these compliments were graciously
responded to, even in the case of the famous
"Miserere," which he sang with exquisite sweet-
ness and the perfection of passionate feeling.
Miss Banks acquitted herself in this difficult
scene with much ability, but the music appeared
to overtask her powers of voice, which is de-
cidedly not a high soprano. The great novelty
of the entertainment was the performance of a
"Recitativo e Romanza," composed by Signor
Arditi, of her Majesty's Theatre, and sung by
Giuglini-a composition displaying originality
and musical ability of a rare order; the quaint-
ness of the accompaniment, played by the com-
poser, and the almost classical severity and wild
pathos of the air, were charmingly rendered, and
resulted in deserved applause. Altogether the
entertainment was a most generous one, and, the
latter part especially, of a most satisfactory
description.
C. A. W.

Partridges are delicious birds; but "toujours perdria," their flavour amazingly takes off the fine edge of appetite, and reduces them to the condition of ordinary fare. This proverb holds good of almost everything else in this world with which we are overfed, and this is precisely our point of grievance anent the really charming concerts of National Melodies. "Scots wae hae," and "Auld lang_syne," are excellent songs; so, too, are "The Vale," and the "March of the Men of Harlech :" but, in the name of all the Scotch and Welsh bards, are there no other songs of equal merit, or alas! (as some of us have learned the fact) with the greater merit of newness to recommend them? We are quite willing to acknowledge their effectiveness, and the little trouble they occasion the choir, who have sung them so nearly threadbare; but it is because we do not wish to see people shiver over the programme, as the We are glad to find that this admirable instiFrench abbé did after certain days when the tution, the intention of which we have so frelifting of his cover revealed the inevitable par- quently and favourably alluded to in these pages, tridge, that we beg to suggest the withdrawal of is now sufficiently advanced to be available for these excellently harmonized, effectively-sung, purposes of reference and study. The collection and-yes, we must confess it-too-often-re- has been specially formed for purposes of social peated melodies, in favour of many others sel- improvement and Christian benevolence, and indom heard, and equally deserving in the mu- cludes whatever may best serve as a guide to the sical repertoires of Mr. Kingsbury, or others rich for practically bettering the condition of the who have voice in the arrangements of the pro-poor. Here are models of buildings and cotgrammes. Purcell's "O who will o'er the Downs," and Horn's "Through the Woods (both heard at recent concerts) were very deliciously rendered by the choir, and proved

TWICKENHAM ECONOMIC MUSEUM.

tages on the best plans for ensuring domestic and sanitary economy. Furniture, clothing, books, popular illustrations of food, and domes tic hygiene, special requirements for cottagers,

emigrants, &c. The museum is open gratuitously between 2 and 5 p.m. every Wednesday and Saturday, and is easily accessible from the Waterloo terminus. The building is situated very near the Twickenham station. Cards of admission, with programmes and other printed

information, may be obtained at the Society of Arts; but without these, in the language of the philanthropic projector and proprietor, "any persons engaged in raising the condition of their poorer brethren will always be welcome visitors."

THE TOILET.

FIRST FIGURE.

(Specially from Paris.)

VISITING TOILET.-Silk dress ornamented

on each breadth of the skirt by a wide band of white silk, covered at little distances with rows of velvet ribbon to match the colour of the robe. Corsage high, plain, and pointed, and trimmed in unison with the skirt; the band down the middle of the front being continued to the foot of the skirt. This trimming simulates a collar round the neck, finished above with a little frill

of lace. Sleeves cut with an elbow, ornamented

with a band of white silk and rows of velvet.

Under-sleeves of muslin, finished by a ruche to

match the frill round the throat. Bonnet of havane velvet, ornamented with a traverse of Mexican blue velvet on the front, from which a white blond lightly fulled falls back on the crown; upon the front, a little inclined to the left, a spray of havane velvet foliage accompanied with white wild roses. Blue velvet curtains, with an ornament of white blond in the middle. Square

Indian shawl.

SECOND FIGURE.

IN-DOORS TOILET FOR A YOUNG LADY.Robe of rayed silk simply trimmed on the skirt with lozenges of passemeterie; and on the body, which is cut with a round waist, are placed braces and a waist-band of passementerie Spanish point. The sleeves almost tight are garnished on the upper part with a similar ornament, and at the bottom by a very light passementerie to match. Plain linen under-sleeves, and collar

Sleeves

mounted in great plaits, and surmounted by a chicorée ruche in black silk. Bernese corsage, edged at the top with a black silk ruche. short, formed by a simple little flounce set on in great plaits. Hair-net with velvet bow. Swiss muslin chemisette or “guimpe," with linen collar

and under-sleeves to match.

Pantaloons ornamented with tucks, and entre. deux of valenciennes.

Coiffures composed of white or black blond and terminating in two floating ends, are popular coquillé describing a crown, mixed with flowers, dress consists simply of a square of lace a little at our balls and soireés. A very charming headelongated, surrounded by a blond, surmounted by two or three rows of velvet China blue and assorted velvet flowers are placed at the left side black, or ponceau and black &c. A branch of of this model, and a tuft of white blond lace ornaments the other; this is mounted gracefully the hair is worn, the coiffures of flowers are en evantail. Following the fashion in which raised in a diadem in front; at the sides they are a simple cordon of foliage, or buds, while sometimes a capricious hand adjusts a tuft of assorted flowers behind. Others are finished with trailing ends.

of the gillet, or to simulate the Figaro jacket. The forms adopted for corsages are either that

Ruchings are more than ever worn, with or without other trimmings. In these particulars we are just now see-sawing between two extremes, either of which is the mode. The skirt must be perfectly plain, or very fully trimmed, to be in fashion. Rich materials are seen to greatest advantage untrimmed; and velvet, moire antique, and taffetas de gros grain enjoy this immunity. TOILET FOR A LITTLE GIRL.-Green silk Corslets of black or coloured velvets continue robe ornamented on the skirt with two flounces 'in favour; also the sash in all its varieties.

embroidered in the corners.

THIRD FIGURE.

WEEDS AND HABITS.

Among the innumerable analogies that may be traced between the phenomena of the natural and of the moral world, there are few more perfect, or more instructive, than that which may be shown to exist between the weeds of the field and garden, and the bad habits, the weeds of the heart.

1. Both commence on a small scale. The Scotchman's little paper of thistle seeds was sufficient to overrun an island as large as England with the noxious weeds. So the little mischevious seed which a man sows in his heart will bear a crop of weeds out of all proportion to the original germ.

2. Again, both weeds and bad habits mature and multiply without cultivation. Whatever is valuable must be reared with more or less of care and labour; but these natural and moral pests ask only to be let alone. Neglect is the only care they require. Do nothing, and you do all that they ask.

3. They are both lusty and hardy. They are not apt to be nipped up by early or late frosts, or scorched by fiery suns. They are the last things to be drowned out in a flood, or to dry up in a drought. Give them a foothold in the soil, and the smallest possible chance of life, and they will take care of themselves.

4. They are both amazingly prolific. It has been said that a single plant of the weed called "sow thistle" will produce over eleven thousand seeds. We will not venture to calculate how many mischievous seeds may spring from a single weed in the heart, but we know that such things are very prolific.

5. Both are costly and destructive. Though no toil is required to rear a crop of weeds, they eat up the goodness of the soil, and deprive those plants which are valuable of their proportion of nourishment.

6. Again, if suffered to remain long in the ground, they both become very difficult to extirpate. If you would eradicate a noxious plant, you must take it in hand at an early stage. If you wait till its seeds are wafted to every corner of the field, and its roots have spread deep and wide, it will mock your efforts to exterminate it. You may cut it down, or pluck it up; you may burn it, or bury it; you may fight it manfully and patiently; but while you are subduing it in one spot, it will spring up afresh in another, to mock your labours, and vex you soul. So it is with a heart long overgrown with the weeds of bad habits. What a long, and stern, and sorrowful struggle will it require to reclaim that dreary waste, to make it again blossom as a garden! True, terribly true, is the record which declares that it is as difficult for those to do good that are accustomed to do evil, as for the Ethiopian to make white his dusky hue, or the leopard to change his spotted skin. Southey has pictured this struggle with confirmed bad habits with great vividness in the following lines, with which we close this sober, though not unseasonable homily:

"For from his shoulders grew
Two snakes of monstrous size
Which ever at his head
Aimed their rapacious teeth,
To satiate raving hunger with his brain.

He, in the eternal conflict, oft would seize
Their swelling necks, and in his giant grasp
Bruise them, and rend their flesh with bloody nails,
And howl for agony ;

Feeling the pangs he gave; for of himself
Co-sentient and inseparable parts

The snaky tortures grew."

ANSWERS TO CORRESPONDENTS.

To CONTRIBUTORS.-The Editor declines to return manuscripts, unless postage-stamps are forwarded for the purpose.

TO INTENDED SUBSCRIBERS.-This magazine will be posted free to all parts of the kingdom on application. Terms, paid in advance, 12s. yearly; or in proportion for any part of a year. Back numbers always on sale.

POETRY received, with thanks. "Side by Side;""Changed;" "Old and New;" "Spring;" "Wedding Bells;" "Life's Ideality." Declined, with thanks.—“ Drowned;" "Guilio'

tide;"

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Prin'el by Rogerson and Tuxford, 246, Strandl, Lendon.

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