The Shaping Vision: Imagination in the English Novel from Defoe to Dickens

action actually appears assume attempt awareness become beginning believe Bleak House called chapters character child clear clearly concern course critical Dickens effect Esmond example existence experience expression fact Fanny feeling fiction Fielding give given hand historical human idea imaginative important inner form interest Jane Austen Joseph Andrews judgment kind Lady language least less letters limited literary Mansfield Park matter means mind Moll Moll's moral narrative narrator nature never novel objection observation offers Pamela perhaps person plot point of view possible practical present principle problem qualities question reader reason regard relation remains response reveals Richardson's scene seems sense serves Shandy significant simple social speak story structure suggestive technique thing thought tion Tristram true values virtue vision whole writing