The Cabaret

Front Cover
Yale University Press, Jan 1, 2004 - Social Science - 265 pages
02 The complete history of cabaret, vividly told and enhanced with a marvelous array of illustrationsThis captivating book presents a uniquely comprehensive cultural history of cabaret, where the most radical of artists, poets, writers, musicians, and theater directors have gathered since 1881. Lisa Appignanesi takes us to the original cabaret—the smoke-filled rooms of the Chat Noir in Paris that served as a meeting place for the avant-garde and a laboratory of subversion against the establishment. She then follows the journey of the cabaret across Europe and to the United States, tracing each development in cabaret history to the present day.This much revised and updated edition of Appignanesi’s classic work is enriched with materials that have become more accessible in the post-Soviet era. It also features a variety of new illustrations from both East and West. The book provides a lively look at all aspects of cabaret, where art and entertainment join to mock and provoke, and where radical artistic, literary, and political ideas have found expression for more than 120 years.Lisa Appignanesi is a writer and broadcaster. She is the author of many books, widely translated, including the acclaimed Freud’s Women (with John Forrester), a portrait of Simone de Beauvoir, the highly praised memoir Losing the Dead, and the novel The Memory Man, as well as such best-selling thrillers as Sanctuary and The Dead of Winter. She has made and presented a variety of programs for radio and television in Great Britain and France. She is a Chevalier des Arts et des Lettres.
The complete history of cabaret, vividly told and enhanced with a marvelous array of illustrationsThis captivating book presents a uniquely comprehensive cultural history of cabaret, where the most radical of artists, poets, writers, musicians, and theater directors have gathered since 1881. Lisa Appignanesi takes us to the original cabaret—the smoke-filled rooms of the Chat Noir in Paris that served as a meeting place for the avant-garde and a laboratory of subversion against the establishment. She then follows the journey of the cabaret across Europe and to the United States, tracing each development in cabaret history to the present day.This much revised and updated edition of Appignanesi’s classic work is enriched with materials that have become more accessible in the post-Soviet era. It also features a variety of new illustrations from both East and West. The book provides a lively look at all aspects of cabaret, where art and entertainment join to mock and provoke, and where radical artistic, literary, and political ideas have found expression for more than 120 years.Lisa Appignanesi is a writer and broadcaster. She is the author of many books, widely translated, including the acclaimed Freud’s Women (with John Forrester), a portrait of Simone de Beauvoir, the highly praised memoir Losing the Dead, and the novel The Memory Man, as well as such best-selling thrillers as Sanctuary and The Dead of Winter. She has made and presented a variety of programs for radio and television in Great Britain and France. She is a Chevalier des Arts et des Lettres.
 

Contents

Ladies and Gentlemen
7
18971914
31
The Eleven Executioners
42
Vienna Budapest and the rest
52
Cabaret as a Meeting Place for Artists
63
Cabaret as a Vehicle of the Artistic Vanguard
85
The Roaring Twenties
123
Sekt smoke sex and satire
164
Rosa Valetti and the cabaret Grössenwahn
177
The Blue Bird
184
Into the Third Reich
195
Cabaret in Exile
205
Life and AfterLife
217
Bibliography
253
Index
258
Copyright

Schall und Rauch
171

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About the author (2004)

Lisa Appignanesi is a writer and broadcaster. She is the author of many books, widely translated, including the acclaimed Freud’s Women (with John Forrester), a portrait of Simone de Beauvoir, the highly praised memoir Losing the Dead, and the novel The Memory Man, as well as such best-selling thrillers as Sanctuary and The Dead of Winter. She has made and presented a variety of programs for radio and television in Great Britain and France. She is a Chevalier des Arts et des Lettres.

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