 | Robert Lynd - Literary Criticism - 1923 - 344 pages
...quality of Shakespeare's failure. He writes: The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other...experience, are given, the emotion is immediately evoked. If you examine any of Shakespeare's more successful tragedies, you will find this exact equivalence;... | |
 | American periodicals - 1926 - 746 pages
...154. "Ibid., p. 49. Of the expression he says: The only way of expressing emotion in the form of art is by finding an 'objective correlative' ; in other...experience, are given, the emotion is immediately evoked . . . The artistic 'inevitability' lies in this complete adequacy of the external to the emotion.18... | |
 | Thomas Stearns Eliot - Criticism - 1928 - 206 pages
...The only way of expressing emotion in the form of art is by finding aft "'objective GorrelaiiveJ' ; in other words, a set of objects, a situation, a chain...experience, are given, the emotion is immediately evoked. If you examine any of Shakespeare's more successful tragedies, you will find this exact equivalence... | |
 | Noah Wardrip-Fruin, Nick Montfort - Social Science - 2003 - 872 pages
...celebrated passage of his essay on Hamlet,7 he writes: The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other...experience, are given, the emotion is immediately evoked. If you examine any of Shakespeares more successful tragedies, you will find this exact equivalence;... | |
 | Bill Mullen, James Edward Smethurst - Literary Criticism - 2003 - 350 pages
...relationship. "The only way of expressing emotion in the form of art," Eliot famously explains in 1919, "is by finding an 'objective correlative'; in other...emotion; such that when the external facts, which must 31 terminate in sensory experience, are given, the emotion is immediately TS Eliot's evoked."37 This... | |
 | Jerrold Levinson - Art - 2005 - 844 pages
...1995: 23) And TS Eliot in his essay on Hamlet The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other...situation, a chain of events which shall be the formula ofthat particular emotion; such that when the external facts, which must terminate in sensory experience,... | |
 | Bharat Tandon - Literary Criticism - 2003 - 320 pages
...Austen, 8-9 November 1800; Letters, p. 55. 236 'The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other...a situation, a chain of events which shall be the form of that particular emotion; such that when the external facts, which must terminate in sensory... | |
 | Fred Sedgwick - Education - 2003 - 116 pages
...about a war but using flowers and people to explain it.' I thought of TS Eliot's objective correlative, 'a set of objects, a situation, a chain of events...which shall be the formula of that particular emotion' (quoted in Gray, 1984). Of course, this does not apply exactly to Kirsty's writing here; but she has... | |
 | Marjorie B. Garber - Allusions - 2003 - 332 pages
...Murry 's Cleopatra finds what Eliot famously called in his Hamlet essay an "objective correlative": "a set of objects, a situation, a chain of events which shall be the formula of thai particular emotion; such that when the external facts, which must terminate in sensory experience,... | |
 | Bill Brown - Literary Criticism - 2003 - 260 pages
...correlative," see TS Eliot ("Hamlet," Selected Essays [London: Faber and Faber, 1932]), who explains it as "a set of objects, a situation, a chain of events which shall be the formula" of a "particular emotion," and which can thus evoke that emotion (145). 52. Getrude Stein, "How Writing... | |
| |
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that -particular emotion; such that when the external facts,... 
