The Cambridge History of Latin AmericaLeslie Bethell The essays in Volume 10: Latin America since 1930: Ideas, Culture and Society discuss the modernist culture of the 1920s in Brazil, Argentina, and Mexico; the renaissance of Latin American philosophy in the 1940s; major trends in Latin American narrative and poetry, including the indigenous literatures and cultures; the work of twentieth-century Latin American composers, architects, and filmmakers; Latin American mass media, including newspapers, magazines, radio and television; and the development of sculpture, painting, and mural art in the twentieth century. |
Contents
The multiverse of Latin American identity c 1920c 1970 | 1 |
Latin American narrative since c 1920 | 129 |
Latin American poetry c 19201950 | 223 |
Latin American poetry since 1950 | 257 |
Indigenous literatures and cultures in twentiethcentury | 287 |
Latin American music c 1920c 1980 | 307 |
Latin American architecture c 1920c 1980 | 365 |
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Alejo Carpentier Antonio architect architecture Argentina artists avant-garde became began Bogotá Borges Brazil Brazilian broadcasting Buenos Aires Caracas Carlos Carpentier Channel Chile Chilean cinema Colombia colours composers contemporary critical Cuba Cuban culture decades early economic essay Europe European example exile fiction film film-makers genre identity ideological important Indian intellectual Jorge José Juan later Latin American Latin American poetry Lezama Lima literary literature Luis Madrid magical realism Manuel Mário de Andrade Martínez Mexican Mexico modern modernist movement música narrative nationalist native Neruda novel novelist Octavio Octavio Paz Oswald de Andrade painter painting Paris Paulo period Peru Peruvian philosophy poems poesía poet poetry political popular music produced radio stations realism reality Revolution revolutionary Reyes Rio de Janeiro Santiago São Paulo sculpture Sérgio social Spanish studied style surrealist techniques television themes tion tradition twentieth century urban Uruguay Venezuela writers