Reality TV: Realism and RevelationThis book analyses new and hybrid genres of television including observational documentaries, talk shows, game shows, docu-soaps, dramatic reconstructions, law and order programming and 24/7 formats such as Big Brother and Survivor. |
Contents
1 | |
9 | |
2 Real lives documentary approaches | 35 |
from docudrama to new observational documentary | 59 |
from video diary to Errol Morris | 70 |
narcissism and selfrevelation | 95 |
from talkshow to lifestyle programming | 108 |
reality crime television | 118 |
8 Man in a glass box | 131 |
Reach for the stars celebrity social mobility and the future of reality TV | 144 |
Notes | 156 |
167 | |
179 | |
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Common terms and phrases
aesthetic arguably argued audience authentic BBC2 become behaviour Big Brother Big Blaine Blaine’s British broadcast broader Brother Big Brother camera Cathy Come Home celebrity challenge Channel chapter cinéma vérité confessional contemporary contestants conventions crime criminal critics David Blaine death debates depiction Direct Cinema discourse discussion docusoap drama dramatised emotional entertainment Errol Morris ethical everyday example experience factual programming fictional film subjects filmic filmmaker footage formats Free Cinema genres Griggs housemates increasingly individual interview Judge Judy Ken Loach lives media culture Morris narrative observational documentary one’s participants performance police political Pop Idol popular present produced programmes psychological realism reality programming reality TV reveal role scenes screen sense serial killer soap soap opera social space status story structures tabloid talk shows television therapeutic to-camera trauma video diary viewers visual voice voiceover Walsh Show whilst witness working-class