The Plays of William Shakespeare : Accurately Printed from the Text of the Corrected Copy Left by the Late George Steevens: With a Series of Engravings, from Original Designs of Henry Fuseli, and a Selection of Explanatory and Historical Notes, from the Most Eminent Commentators; a History of the Stage, a Life of Shakespeare, &c. by Alexander Chalmers, Volume 3 |
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LONDON : Printed for F. C. and J. Rivington ; J. Johnson ; R. Baldwin ; H. L. Gardner ; W. J. and J. Richardson ; J. Nicholls and Son ; T. Payne ; R. Faulder ; G. and J. Robinson ; W. ' Lowndes ; G. Wilkie ; Scatcherd and Letterman ...
LONDON : Printed for F. C. and J. Rivington ; J. Johnson ; R. Baldwin ; H. L. Gardner ; W. J. and J. Richardson ; J. Nicholls and Son ; T. Payne ; R. Faulder ; G. and J. Robinson ; W. ' Lowndes ; G. Wilkie ; Scatcherd and Letterman ...
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Johnson . ? It is not easy to determine the orthography of this name . In the old editions the owner of it is called Salanio , Salino , and Solanio . STEEVENS , 9 This character I have restored to the Personæ Dramatis .
Johnson . ? It is not easy to determine the orthography of this name . In the old editions the owner of it is called Salanio , Salino , and Solanio . STEEVENS , 9 This character I have restored to the Personæ Dramatis .
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JOHNSON . In Ricaut's Maxims of Turkish Polity , ch . xiv . it is said , “ Those vast carracks called argosies , which are so much famed for the vastness of their burthen and bulk , were corruptly so denominated from Ragosies , " i..e ...
JOHNSON . In Ricaut's Maxims of Turkish Polity , ch . xiv . it is said , “ Those vast carracks called argosies , which are so much famed for the vastness of their burthen and bulk , were corruptly so denominated from Ragosies , " i..e ...
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Exeunt . left in the fearful guard , & c . ] Fearful gvard , is a guard that is not to be trusted , but gives cause of fear . To fear was anciently to give as well as feel terrours . Johnson . VOL . III . E ACT II . . SCENE I. Belmont .
Exeunt . left in the fearful guard , & c . ] Fearful gvard , is a guard that is not to be trusted , but gives cause of fear . To fear was anciently to give as well as feel terrours . Johnson . VOL . III . E ACT II . . SCENE I. Belmont .
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JOHNSON . 3 Hath fear'd the valiant , ] i . e , terrify'd . To fear is often used by our old writers , in this sense , Yourself , renowned prince , then stood as fair , MERCHANT OF VENICE . Flourish of Cornets.
JOHNSON . 3 Hath fear'd the valiant , ] i . e , terrify'd . To fear is often used by our old writers , in this sense , Yourself , renowned prince , then stood as fair , MERCHANT OF VENICE . Flourish of Cornets.
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Bibliographic information
| Title | The Plays of William Shakespeare : Accurately Printed from the Text of the Corrected Copy Left by the Late George Steevens: With a Series of Engravings, from Original Designs of Henry Fuseli, and a Selection of Explanatory and Historical Notes, from the Most Eminent Commentators; a ..., Volume 3 The Plays of William Shakespeare : Accurately Printed from the Text of the Corrected Copy Left by the Late George Steevens: With a Series of Engravings, from Original Designs of Henry Fuseli, and a Selection of Explanatory and Historical Notes, from the Most Eminent Commentators; a History of the Stage, a Life of Shakespeare, &c. by Alexander Chalmers, William Shakespeare |
| Author | William Shakespeare |
| Editor | George Steevens |
| Illustrated by | Henry Fuseli |
| Publisher | F.C. and J. Rivington, 1805 |
| Original from | the University of Wisconsin - Madison |
| Digitized | 4 Feb 2011 |
| Export Citation | BiBTeX EndNote RefMan |