Modern Painters, Volume 2John Ruskin was the most influential art critic during the Victorian period. His five volume book Modern Painters was written in opposition against art critics who were opposed to the paintings of J.M.W. Turner. Ruskin was a collector of Turner's works and the two were friends. In his writings, Ruskin was a harsh critic towards classical art, and believe that the landscape paintings of Turner and others demonstrated a superior understanding of "truth." |
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Page ix
... Relations of the Theoretic Faculty . § 1. With what care the subject is to be approached ........... § 2. And of what importance considered ........... § 3. The doubtful force of the term " Utility . " . .......... PAGE 1 2 3 4 § 4. Its ...
... Relations of the Theoretic Faculty . § 1. With what care the subject is to be approached ........... § 2. And of what importance considered ........... § 3. The doubtful force of the term " Utility . " . .......... PAGE 1 2 3 4 § 4. Its ...
Page xiv
... relations . Its deficiency illustrated .......... 149 § 12. Laws of art , the safeguard of the unimaginative ........................... . 150 § 13. Are by the imaginative painter ... Relation of the Imaginative faculty to the xiv CONTENTS .
... relations . Its deficiency illustrated .......... 149 § 12. Laws of art , the safeguard of the unimaginative ........................... . 150 § 13. Are by the imaginative painter ... Relation of the Imaginative faculty to the xiv CONTENTS .
Page xv
... Relation of the Imaginative faculty to the Theoretic .............................. § 17. Modifications of its manifestation ..... PAGE 152 152 § 18. Instances of absence of Imagination . — Claude , Gaspar Poussin ...
... Relation of the Imaginative faculty to the Theoretic .............................. § 17. Modifications of its manifestation ..... PAGE 152 152 § 18. Instances of absence of Imagination . — Claude , Gaspar Poussin ...
Page 1
... RELATIONS OF THE THEORETIC FACULTY . care the subject ALTHOUGH the hasty execution and controversial tone of the § 1. With what former portions of this essay have been subjects of frequent regret is to be ap to the writer , yet the one ...
... RELATIONS OF THE THEORETIC FACULTY . care the subject ALTHOUGH the hasty execution and controversial tone of the § 1. With what former portions of this essay have been subjects of frequent regret is to be ap to the writer , yet the one ...
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... relation to which we assuredly incur a moral responsibility . There is not the thing left to the choice of man to do ... RELATIONS OF And of what importance considered What imperfection exists in visible things How in a sort by imagina-
... relation to which we assuredly incur a moral responsibility . There is not the thing left to the choice of man to do ... RELATIONS OF And of what importance considered What imperfection exists in visible things How in a sort by imagina-
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Common terms and phrases
Adamite agreeable Angelico angels animal artist bodily body Brera Gallery Caliban Camillo Procaccini Chap character Christ clouds colour conceive conception Correggio creatures degree delight dependent desire dignity Divine evident evil exist expression fancy farther fear feeling Fra Angelico Fra Bartolomeo function Gentile Bellini Giorgione Giotto glory hand heart human form ideal form imperfect impressions instance intellect kind landscape Laocoon less light look lower Masaccio matter Michael Angelo mind Mino da Fiesole modes moral nature necessary never noble object observed operation outward painful painted painter passion perception perfect Perugino picture Pitti Palace plant pleasure portraiture present proportion pure purity racters Raffaelle reader received repose respect rightly sense sensual signs Soldanella alpina species spirit strength sublime suppose taste Theoretic faculty things Tintoret tion Titian tree trunk truth typical beauty unity Venice visible VITAL BEAUTY word Ideal
Popular passages
Page 88 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Page 37 - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Page 162 - Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Page 191 - Sweet flower ! for by that name at last, When all my reveries are past, I call thee, and to that cleave fast, Sweet silent creature ! That breath'st with me in sun and air, Do thou, as thou art wont, repair My heart with gladness, and a share Of thy meek nature ! TO THE SAME FLOWER.
Page 34 - The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms were then to me An appetite ; a feeling and a love That had no need of a remoter charm, By thought supplied, or any interest Unborrowed from the eye.
Page 163 - O Proserpina, For the flowers now that frighted thou let'st fall From Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Page 140 - So spake the grisly terror, and in shape, So speaking: and so threatening, grew tenfold More dreadful and deform : on the other side, Incensed with indignation, Satan stood Unterrified, and like a comet burned, That fires the length of Ophiuchus huge In the arctic sky, and from his horrid hair Shakes pestilence and war.
Page 191 - With all the numberless goings-on of life, Inaudible as dreams! the thin blue flame Lies on my low-burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought.
Page 191 - I see thee glittering from afar ; — And then thou art a pretty Star ; Not quite so fair as many are In heaven above thee ! Yet like a star, with glittering crest, Self-poised in air thou seem'st to rest...
Page 140 - Gently o'er the accustomed oak. Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy! Thee, chauntress, oft the woods among I woo, to hear thy even-song; And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.