Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Page 67
... master or leave him . Heroic transmigration is a political as well as a transcendental problem in Antony and ... master has himself lost the ability to follow fortune and time . Yet what might have been an abstract opposition between ...
... master or leave him . Heroic transmigration is a political as well as a transcendental problem in Antony and ... master has himself lost the ability to follow fortune and time . Yet what might have been an abstract opposition between ...
Page 88
... master conquer , And earns a place i'the story . ( 3.13.41-46 ) A single situation can lead to completely opposite lines of logical reaction . It is rational to abandon a master who has abandoned reason ; yet it is also rational to ...
... master conquer , And earns a place i'the story . ( 3.13.41-46 ) A single situation can lead to completely opposite lines of logical reaction . It is rational to abandon a master who has abandoned reason ; yet it is also rational to ...
Page 107
... master - leaver ” rather than " leaver " ) he feels that the self - extending spirit of Antony is large enough to forgive him and understand him . Indeed , Enobarbus remains a follower of Antony's even in the act of becoming the master ...
... master - leaver ” rather than " leaver " ) he feels that the self - extending spirit of Antony is large enough to forgive him and understand him . Indeed , Enobarbus remains a follower of Antony's even in the act of becoming the master ...
Contents
Acknowledgments | 9 |
Presence and Oblivion | 23 |
To Follow Faster | 46 |
Copyright | |
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absence absolute action actually affirms already amounts Antony and Cleopatra Antony's approach arriving become begin bring Caesar calls comes complete conception course created critical death difference difficulty discourse discussion dramatic dying economy Egypt emphasized Enobarbus entire erotic event excess fact fall feeling final force give hand heroic honor human hyperontological Ibid identifies identity imagination important infinite interesting kind language leaving linguistic logic London longer look loss lovers master means military monument moral move movement nature negativity never notion object observed once ontodramatic opposite passage performance perhaps play pleasure position possibility precisely presence produced pure question reality remains restricted Roman Rome scene seems sense Shakespeare simply space spending spirit stage strange suggests takes thee things thou thought tion trace Tragedy tragic turn unit University Press Venus York