A Dissertation on the Rise, Union and Power, the Progressions, Separations and Corruptions of Poetry and Music |
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Action ancient GREECE appears arife ariſe aroſe aſſumed barbarous Bards becauſe beſt Cauſe Character Choir Circumſtance Comedy compoſed Compoſition Conſequence correſpondent Corruption Courſe Cuſtom Dance dramatic Epic eſſential eſtabliſhed Exerciſe Expreſſion expreſſive fame farther fing firſt fome Form fung Genius Gods Greek hath Hence Heroes Hiſtory HOMER Hymns Iliad Inſtance Inſtitution Inſtruments itſelf Kind laſt legislative leſs likewiſe Lyre Manners Meaſure Melody and Song Morals moſt Mufic Muſic muſical Arts Muſician muſt natural neceſſary Numbers obſerve occafionally Opera Paffion Paſſage Paſſions Perſon PLATO PLUTARCH Poem Poet poetic Poetry and Muſic Power Praiſe preſent Principles Progreſs Progreſſion Queſtion racter Reaſon Repreſentation repreſented Reſpect Riſe Rythm ſacred ſaid Saltatione ſame ſavage ſays ſecond Sect ſee ſeems ſeen Senſe ſeparated ſeveral ſhall ſhould ſome ſometimes ſpeaks Species ſtand ſtill STRABO ſtriking Subject ſucceeding ſuch ſung ſuppoſed Taſte themſelves theſe theſe Arts THESPIS thoſe Tragedy tragic Union univerſally Uſe Verſe whoſe Writer