The Subcultures ReaderKen Gelder "Subcultures are groups of people that are represented - or who represent themselves - as distinct from normative social values or 'mainstream' culture through their particular interests and practices, through what they are, what they do and where they do it. They come in many forms, from teds and skinheads to skateboarders, clubbers, New Age travellers, graffiti artists and comic book fans. 'The Subcultures Reader' brings together key writings on subcultures, beginning with the early work of the Chicago School on 'deviant' social groups such as gangs and taxi-dancers, and research from the Centre for Contemporary Cultural Studies at the University of Birmingham during the 1970s on working-class youth cultures and punks. In this fully revised and updated second edition, these classic texts are combined with essential contemporary writings on a variety of subcultural formations defined through their social position, their styles and language, their bodies and their sexuality, their music and their media. Subcultures can be local and face-to-face ; but they can also be global, mediated and 'virtual'. This new edition gives expression to the rich diversity of subcultural locations, from underworlds, bohemias and micro-communities to scenes, 'tribes' and the 'global underground'."--back cover. |
Contents
THE FIELD OF SUBCULTURAL STUDIES | 1 |
THE CHICAGO SCHOOL AND URBAN ETHNOGRAPHY | 17 |
INTRODUCTION TO PART ONE | 19 |
THE CITY SUGGESTIONS FOR THE INVESTIGATION OF HUMAN BEHAVIOR IN THE URBAN ENVIRONMENT 1925 | 25 |
THE LIFECYCLE OF THE TAXIDANCER 1932 | 35 |
THE CONCEPT OF THE SUBCULTURE AND ITS APPLICATION 1947 | 46 |
A GENERAL THEORY OF SUBCULTURES 1955 | 50 |
RESEARCH METHOD MORALITY AND CRIMINOLOGY 1967 | 60 |
ZOOTSUITERS AND MEXICANS SYMBOLS IN CROWD BEHAVIOR 1956 | 276 |
FASHIO AND REVOLT 1963 | 284 |
POSTING THREATS STRIKING POSES YOUTH SURVEILLANCE AND DISPLAY 1983 | 288 |
BLACK HAIR STYLE POLITICS 1987 | 299 |
THE GRAFFITIT SUBCULTURE MAKING A WORLD OF DIFFERENCE 2001 | 312 |
TATTOO ENTHUSIASTS SUBCULTURE ON FIGURATION? 2003 | 326 |
SEXED SUBJECTS | 341 |
INTRODUCTION TO PART SIX | 343 |
NOTES ON THE STATUS OF THE CONCEPT SUBCULTURE 1970 | 73 |
THE BIRMINGHAM TRADITION AND CULTURAL STUDIES | 79 |
INTRODUCTION TO PART TWO | 81 |
SUBCULTURAL CONFLICT AND WORKINGCLASS COMMUNITY 1972 | 86 |
SUBCULTURES CULTURES AND CLASS 1975 | 94 |
GIRLS AND SUBCULTURES 1977 | 105 |
CULTURE INSTITUTION DIFFERENTIATION 1977 | 113 |
SUBCULTURE THE MEANING OF STYLE 1979 | 121 |
SECONDHAND DRESSES AND THE ROLE OF THE RAGMARKET 1989 | 132 |
OUTSIDE CULTURAL STUDIES CRITIQUES AND ALTERNATIVES | 141 |
INTRODUCTION TO PART THREE | 143 |
THE SUBTERRANEAN WORLD OF PLAY 1971 | 148 |
SYMBOLS OF TROUBLE 1980 | 157 |
DEFENDING SKIJUMPERS A CRITIQUE OF THEORIES OF YOUTH SUBCULTURES 1981 | 169 |
SOCIAL SURVEILLANCE AND SUBJECTIFICATION THE EMERGENCE OF SUBCULTURE IN THE WORK OF HENRY MAYHEM 1990 | 175 |
THE SOCIAL LOGIC OF SUBCULTURAL CAPITAL 1995 | 184 |
THE EMOTIONAL COMMUNITY RESEARCH ARGUMENTS 1996 | 193 |
TERRITORIES SPACE OTHERNESS | 211 |
INTRODUCTION TO PART FOUR | 213 |
GANGLAND 1927 | 218 |
THE PROBLEM OF CORNERVILLE 1943 | 228 |
HOSPITAL UNDERLIFE PLACES 1961 | 231 |
LIFE ON THE TERRACES 1978 | 234 |
BLANK FIGURES IN THE COUNTRYSIDE 2000 | 246 |
PERFORMING THE CITY 2001 | 256 |
STYLE FASHION SIGNATURE | 269 |
INTRODUCTION TO PART FIVE | 271 |
THE SOCIOLOGIST AS VOYEUR 1970 | 347 |
AIDS ACTIVIST GRAPHICS A DEMONSTRATION 1990 | 358 |
REAL MEN PHALLICISM AND FASCISM 1996 | 367 |
WHEN IS A BODY NOT A BODY? WHEN ITS A BUILDING 1996 | 384 |
DRAG KINGS MASCULINITY AND PERFORMANCE 1998 | 400 |
WAITING FOR NO MAN BISEXUAL FEMME SUBJECTIVITY AND CULTURAL REPUDIATION 1998 | 418 |
SCENES OF MUSIC | 431 |
INTRODUCTION TO PART SEVEN | 433 |
THE CULTURE OF A DEVIANT GROUP THE DANCE MUSICIAN 1963 | 438 |
LISTENING TO PUNK 1985 | 448 |
DIASPORA UTOPIA AND THE CRITIQUE OF CAPITALISM 1987 | 460 |
COMMUNITIES AND SCENES IN POPULAR MUSIC 1991 | 469 |
DISCO SUPERCULTURE CONSUMING FOREIGN SEX IN THE CHINESE DISCO 1999 | 479 |
MOMENTS OF ECSTASY OCEANIC AND ECSTATIC EXPERIENCES IN CLUBBING 1999 | 491 |
VIRTUAL MEDIATED GLOBALIZED | 511 |
INTRODUCTION TO PART EIGHT | 513 |
INTRODUCTION TO THE VIRTUAL COMMUNITY 1994 | 518 |
COMMUNITY THE ZINE SCENE 1997 | 530 |
AMATEUR MANGA SUBCULTURE AND THE OTAKU INCIDENT 2000 | 541 |
MEAT AND METAL 2000 | 555 |
COMMUNICATION GOTH ONLINE MEDIA 2002 | 564 |
NOTES ON THE GLOBAL UNDERGROUND SUBCULTURES AND GLOBALIZATION 2004 | 575 |
Notes on contributors | 587 |
Bibliography | 594 |
619 | |
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Common terms and phrases
activities aesthetic Age travellers alternative rock amateur manga artists become behavior bisexual bisexual femme body bodybuilding boys butch chapter Chicago club clubbers contemporary context Cornerville cosmopolitan criminals crowd dance delinquency deviant Dick Hebdige disco discourse distinction dōjinshi dominant drag king drugs example experience expression fans fashion feel gangs gay skinheads gender girls global goth Hebdige heterosexual homosexual identity individual industry interaction interview involved kind lesbian look mainstream male masculinity Mayhew's MDMA means modern mods moral moral panic musicians otaku participants particular performance play political popular problems produce punk punk rock relationship ritual role scene sense sexual skateboarding skins social society sociologists sociology space street structure style subcultural capital subcultural studies suggests symbolic tattoo taxi-dancer Teddy boys things tion traditional urban values virtual communities women writers young youth culture zine