Interpreting the Musical Past: Early Music in Nineteenth-Century FranceThis study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau. |
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Interpreting the Musical Past: Early Music in Nineteenth-Century France Katharine Ellis Limited preview - 2005 |
Interpreting the Musical Past: Early Music in Nineteenth-Century France Katharine Ellis Limited preview - 2005 |
Common terms and phrases
amateur April artistic audience Bach Bach’s Baroque Bellaigue Bibliothèque Bordes Bourgault-Ducoudray Castor et Pollux Catholic century chanson chanson populaire chant Chanteurs de Saint-Gervais Charles Bordes choir choral music Choron church classique Clément Comédie-Française composers concerts historiques Conservatoire Couperin critic culture D'Indy Diémer early music Ecole Niedermeyer edition Fétis Fétis’s France France’s Franco-Flemish French French music French opera fugue genre Goudimel Guilmant Handel harpsichord included Italian Janequin Josquin journal Lafage Lassus liturgical Louis Louis Diémer Lully maîtrise Mass melody Mén Méreaux Michaëlis modern Molière Moskova motets musicale musicians musique française musique religieuse nationalist Niedermeyer nineteenth-century numbers oeuvres Opéra opéra-comique oratorio organist orphéon Palestrina Palestrinian music Paris performance pianists piano pieces played polyphony popular Pougin programs published Rameau Renaissance repertory Republican revival Revue sacred music Saint-Gervais Schola Cantorum secular siècle Société des Concerts society St Matthew Passion stage music style temps Tiersot tion tradition Ultramontane Weckerlin