A Yearbook of Studies in English Language and Literature |
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Page 39
... Thomas to Bert Trick , 2. 11. 1939 , Dylan Thomas to Rayner Heppenstall , 14. 9. 1939 , Dylan Thomas to John Davenport , 28. 3. 1945 , Dylan Thomas to Oscar Williams . In : Fitzgibbon , Selected Letters , pp . 237 , 242f . , 274 . 13 14 ...
... Thomas to Bert Trick , 2. 11. 1939 , Dylan Thomas to Rayner Heppenstall , 14. 9. 1939 , Dylan Thomas to John Davenport , 28. 3. 1945 , Dylan Thomas to Oscar Williams . In : Fitzgibbon , Selected Letters , pp . 237 , 242f . , 274 . 13 14 ...
Page 48
... Thomas's status as a poet and the literary dimension of These Are the Men . In the context of the poet's oeuvre , the war years during which he was involved in work for the MoI were clearly mar- ginal . Although he had a life - long ...
... Thomas's status as a poet and the literary dimension of These Are the Men . In the context of the poet's oeuvre , the war years during which he was involved in work for the MoI were clearly mar- ginal . Although he had a life - long ...
Page 250
... Thomas , have never appeared in print , but the typescripts of these dramatic experiments survive at the British Library . Between , approximately , 1893 and 1899 Barker and Thomas wrote five plays together : the copies of the first , A ...
... Thomas , have never appeared in print , but the typescripts of these dramatic experiments survive at the British Library . Between , approximately , 1893 and 1899 Barker and Thomas wrote five plays together : the copies of the first , A ...
Contents
Poetic Justice Uses and Abuses of a Critical | 17 |
Pitman and Poet The Divided Self in Storeys | 39 |
The Presentation and Function of Space | 61 |
Copyright | |
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