Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 36
Initially published as the occasional ' Cranford Papers ' in Dickens ' s Household
Words , * Cranford clearly signals its departure from the Victorian novelist ' s
stocks in trade . There is ' hardly any thing that can be called a plot ' in the novel ,
as ...
Initially published as the occasional ' Cranford Papers ' in Dickens ' s Household
Words , * Cranford clearly signals its departure from the Victorian novelist ' s
stocks in trade . There is ' hardly any thing that can be called a plot ' in the novel ,
as ...
Page 46
13 Compare this incident and the moment when Miss Matty Jenkyns realizes she
may have to confront the directors of the lately collapsed Town and County Bank
in Cranford . This scenario is only entertained for its comic incongruity , of ...
13 Compare this incident and the moment when Miss Matty Jenkyns realizes she
may have to confront the directors of the lately collapsed Town and County Bank
in Cranford . This scenario is only entertained for its comic incongruity , of ...
Page 48
Cranford ' s narrator , one of the novel ' s few mobile women , is also
conspicuously without property . She lives in her father ' s house , or stays in any
spare accommodation that Cranford can afford . Moving about between rooms ,
however ...
Cranford ' s narrator , one of the novel ' s few mobile women , is also
conspicuously without property . She lives in her father ' s house , or stays in any
spare accommodation that Cranford can afford . Moving about between rooms ,
however ...
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