Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 76
As Trodd ( 1989 ) argues , servants in sensation novels are doubly treacherous
because they are constantly present above stairs , and the always looming
menace of their insurrection is doubled with the insurrection of the guilty secret
that ...
As Trodd ( 1989 ) argues , servants in sensation novels are doubly treacherous
because they are constantly present above stairs , and the always looming
menace of their insurrection is doubled with the insurrection of the guilty secret
that ...
Page 79
The monstrous hybrid is the symbolic embodiment of those consequences ,
demonized and exiled : as H . L . Malchow ( 1996 ) argues , nineteenth - century
representations of the hybrid borrow important elements from the literary gothic .
The monstrous hybrid is the symbolic embodiment of those consequences ,
demonized and exiled : as H . L . Malchow ( 1996 ) argues , nineteenth - century
representations of the hybrid borrow important elements from the literary gothic .
Page 103
in relation to both gender and class ' , and argue that ' Novelistic signs are
sometimes treated as though their meaning depended ... The signification of
women ' , Ingham argues , ' does not exist in the novelistic language system
merely as an ...
in relation to both gender and class ' , and argue that ' Novelistic signs are
sometimes treated as though their meaning depended ... The signification of
women ' , Ingham argues , ' does not exist in the novelistic language system
merely as an ...
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action argues authority becomes belongs Brontė called Caroline chapter character claim collection common concern conventional Cranford critical Crossways culture desire Diana difference domestic effect England English equality expressed fact female feminine fiction figure finally Gaskell gender give hand Hardy Hardy's heroine household husband idea imagination important independent individual influence Jane kind ladies land landscape language live London Lucy marriage married Mary material means Meredith Miss Moonstone moral narrative narrator nature never notes novel passion plot political possession present protected provincial question readers reform relations relationship representation represents resistance rhetoric romance seems sensation sense separate sexual Shirley single social society space story suggests things tion turns University Victorian Villette voice wife woman women writing York