Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 40
When feminists came to protest against the alleged impropriety of women in
public life , therefore , it is not surprising that they called upon the inconsistencies
of the ladies ' bazaar to support their arguments . In 1860 Emily Davies claimed ...
When feminists came to protest against the alleged impropriety of women in
public life , therefore , it is not surprising that they called upon the inconsistencies
of the ladies ' bazaar to support their arguments . In 1860 Emily Davies claimed ...
Page 116
But the novel ' s constant intimation of what has called been called the theme of
the master as worshipper ' ( Jenkyns , 1991 , p . 135 ) – particularly the
Pygmalion myth — suggests otherwise . Later , Diana tells Redworth : ' The Law
has me ...
But the novel ' s constant intimation of what has called been called the theme of
the master as worshipper ' ( Jenkyns , 1991 , p . 135 ) – particularly the
Pygmalion myth — suggests otherwise . Later , Diana tells Redworth : ' The Law
has me ...
Page 130
The mastership shee is fallen into may be called in a terme which civilians
borrow from Esop ' s Fables , Leonina societate . ' Truly ' she hath lost her
streame ' , she is absorbed , and can hold nothing of herself , she has no legal
right to any ...
The mastership shee is fallen into may be called in a terme which civilians
borrow from Esop ' s Fables , Leonina societate . ' Truly ' she hath lost her
streame ' , she is absorbed , and can hold nothing of herself , she has no legal
right to any ...
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