Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 75
Close had outlawed unions the previous year , and a Royal Commission had
begun investigating the financial structures of the unions . In 1867 , additionally ,
the unjust Master and Servant laws had been modified by an Act which made it ...
Close had outlawed unions the previous year , and a Royal Commission had
begun investigating the financial structures of the unions . In 1867 , additionally ,
the unjust Master and Servant laws had been modified by an Act which made it ...
Page 92
Tess is pushed off like one of Dickens ' s orphan heroes in pursuit of her father ' s
rightful title , but the remorselessly truncated linearity of her fate , in which each
phase of her doomed career is snapped to a close , finally sees her trudge off the
...
Tess is pushed off like one of Dickens ' s orphan heroes in pursuit of her father ' s
rightful title , but the remorselessly truncated linearity of her fate , in which each
phase of her doomed career is snapped to a close , finally sees her trudge off the
...
Page 97
The screen of trees forbids the transcendent view and instructs the close ,
intimate ' old association ' , but it is not clear precisely what is covered up , what
forgotten , what overlooked when the eye descends into this overlooked place .
The screen of trees forbids the transcendent view and instructs the close ,
intimate ' old association ' , but it is not clear precisely what is covered up , what
forgotten , what overlooked when the eye descends into this overlooked place .
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