Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 10
conventional romance heroine displaces her energy into the approved and
unthreatening activity of preserving her virginity . This strategy , basic to the
romance formula , attempts to disguise both the heroine ' s real goal and the
profound ...
conventional romance heroine displaces her energy into the approved and
unthreatening activity of preserving her virginity . This strategy , basic to the
romance formula , attempts to disguise both the heroine ' s real goal and the
profound ...
Page 50
... linear narrative with a ' centric structure ' : ' If Cranford ' s narrative is cohesive ,
its unifying principles derive more from the circumscribed stasis associated with
spinsterhood than from precepts of conventional narrative linearity ' ( 1987 , p .
... linear narrative with a ' centric structure ' : ' If Cranford ' s narrative is cohesive ,
its unifying principles derive more from the circumscribed stasis associated with
spinsterhood than from precepts of conventional narrative linearity ' ( 1987 , p .
Page 88
Nowhere is this dismantling of the conventional binary of sexual purity (
associated with the legal protection of coverture and the protecting spaces of the
home ) and impurity ( associated with a woman ' s exposure on the streets ) more
...
Nowhere is this dismantling of the conventional binary of sexual purity (
associated with the legal protection of coverture and the protecting spaces of the
home ) and impurity ( associated with a woman ' s exposure on the streets ) more
...
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action argues authority becomes belongs Brontė called Caroline chapter character claim collection common concern conventional Cranford critical Crossways culture desire Diana difference domestic effect England English equality expressed fact female feminine fiction figure finally Gaskell gender give hand Hardy Hardy's heroine household husband idea imagination important independent individual influence Jane kind ladies land landscape language live London Lucy marriage married Mary material means Meredith Miss Moonstone moral narrative narrator nature never notes novel passion plot political possession present protected provincial question readers reform relations relationship representation represents resistance rhetoric romance seems sensation sense separate sexual Shirley single social society space story suggests things tion turns University Victorian Villette voice wife woman women writing York