Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 23
For Brontė ' s appeal to the truthfulness of her work is equally a defiance and a
rejection of the double chauvinism , against femininity and provinciality , implicit
in the charge of hoyden . This more than any concern for the realistic use of
dialect ...
For Brontė ' s appeal to the truthfulness of her work is equally a defiance and a
rejection of the double chauvinism , against femininity and provinciality , implicit
in the charge of hoyden . This more than any concern for the realistic use of
dialect ...
Page 87
To be nearly ' mannish ' is rather to be ' almighty womanish ' - archetypally
feminine , and thus vain , coquettish , capricious , and irrational . To be almighty
womanish , though , is also to be unwomanly : to control the material means of ...
To be nearly ' mannish ' is rather to be ' almighty womanish ' - archetypally
feminine , and thus vain , coquettish , capricious , and irrational . To be almighty
womanish , though , is also to be unwomanly : to control the material means of ...
Page 119
Meredith ' s vision for this new Ireland involves a radical revision of the racial
stereotype of the Celts ( originating in Ernest Renan ' s 1854 work , The Poetry of
the Celtic Races ) as ' an essentially feminine race ' ( Renan , 1896 , p . 8 ) .
Meredith ' s vision for this new Ireland involves a radical revision of the racial
stereotype of the Celts ( originating in Ernest Renan ' s 1854 work , The Poetry of
the Celtic Races ) as ' an essentially feminine race ' ( Renan , 1896 , p . 8 ) .
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