Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 29
... kind , it is said , are all three " ( p.246 ) . Between the blue- stocking and the lovelorn maiden , between the chatter of women and the silence of nuns , Shirley and Caroline place themselves at the periphery of ' their kind ' , and ...
... kind , it is said , are all three " ( p.246 ) . Between the blue- stocking and the lovelorn maiden , between the chatter of women and the silence of nuns , Shirley and Caroline place themselves at the periphery of ' their kind ' , and ...
Page 42
... kind of gender - exclusive club . The difference , of course , lies in the fact that the adventures of gentlemen's clubs , almost always of the gallivanting kind , rely upon mobility , whereas the ' adventures ' of Cranford derive their ...
... kind of gender - exclusive club . The difference , of course , lies in the fact that the adventures of gentlemen's clubs , almost always of the gallivanting kind , rely upon mobility , whereas the ' adventures ' of Cranford derive their ...
Page 96
... kind of problem which needs to be dispensed with before any kind of closure is effected , is clear from the endings of Far from the Madding Crowd , A Laodicean , Two on a Tower , and The Woodlanders . In a sense , paradoxically , women ...
... kind of problem which needs to be dispensed with before any kind of closure is effected , is clear from the endings of Far from the Madding Crowd , A Laodicean , Two on a Tower , and The Woodlanders . In a sense , paradoxically , women ...
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action argues authority becomes belongs Brontë called Caroline chapter character claim collection common concern conventional Cranford critical Crossways culture desire Diana difference domestic effect England English equality expressed fact female feminine fiction figure finally Gaskell gender give hand Hardy Hardy's heroine household husband imagination important independent individual influence Jane kind ladies land landscape language live London Lucy marriage married Mary material means Meredith Miss Moonstone moral narrative narrator nature never notes novel passion plot political possession present protected provincial question readers reform relations relationship representation represents resistance rhetoric romance seems sensation sense separate sexual Shirley single social society space story suggests things tion turns University Victorian Villette voice wife woman women writing York