Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 13
In arguing their case for women ' s property rights , Victorian feminists drew upon
other social ideologies and available languages : the language of political
economy , class relations , racial and cultural difference , and imperialism .
In arguing their case for women ' s property rights , Victorian feminists drew upon
other social ideologies and available languages : the language of political
economy , class relations , racial and cultural difference , and imperialism .
Page 61
Exiled even before her journeys begin , Lucy discovers the power of language to
exclude , for the reluctant traveller is also a hesitant speaker . Even the strange
speech of the cabmen ' in London seems as ' odd as a foreign tongue ' ( p . 61 ) .
Exiled even before her journeys begin , Lucy discovers the power of language to
exclude , for the reluctant traveller is also a hesitant speaker . Even the strange
speech of the cabmen ' in London seems as ' odd as a foreign tongue ' ( p . 61 ) .
Page 114
It is only in the aftermath of her sale of the secret to Tonans that Diana realizes
that language , the independent property she has accumulated – ' Touchstone ' s
“ poor thing , but mine own ” ( Meredith , 1910a , p . 355 ) — can be tainted by ...
It is only in the aftermath of her sale of the secret to Tonans that Diana realizes
that language , the independent property she has accumulated – ' Touchstone ' s
“ poor thing , but mine own ” ( Meredith , 1910a , p . 355 ) — can be tainted by ...
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