Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
From inside the book
Results 1-3 of 19
Page 6
The ' true secret of woman ' s political influence , the true object of her political
enlightenment ' , Lewis argued , was as a socially transcendent ' moral agent ' ,
removed from ' the actual collision of political contests , and screened from the ...
The ' true secret of woman ' s political influence , the true object of her political
enlightenment ' , Lewis argued , was as a socially transcendent ' moral agent ' ,
removed from ' the actual collision of political contests , and screened from the ...
Page 35
Mr A . ' s objections , based on the idealization of women as mothers and wives ,
are familiar ones : ' the moral elevation which I desire for your sex will be retarded
rather than promoted by the possession of this right ' , he argues , and ...
Mr A . ' s objections , based on the idealization of women as mothers and wives ,
are familiar ones : ' the moral elevation which I desire for your sex will be retarded
rather than promoted by the possession of this right ' , he argues , and ...
Page 80
The ' sensations ' he is intent on producing are not titillations or moral shocks , but
forms of revulsion . The physical grotesqueness of the social outcast –
represented in Ezra ' s spectacular ugliness , and Rosanna Spearman ' s
deformed ...
The ' sensations ' he is intent on producing are not titillations or moral shocks , but
forms of revulsion . The physical grotesqueness of the social outcast –
represented in Ezra ' s spectacular ugliness , and Rosanna Spearman ' s
deformed ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
action argues authority becomes belongs Brontė called Caroline chapter character claim collection common concern conventional Cranford critical Crossways culture desire Diana difference domestic effect England English equality expressed fact female feminine fiction figure finally Gaskell gender give hand Hardy Hardy's heroine household husband idea imagination important independent individual influence Jane kind ladies land landscape language live London Lucy marriage married Mary material means Meredith Miss Moonstone moral narrative narrator nature never notes novel passion plot political possession present protected provincial question readers reform relations relationship representation represents resistance rhetoric romance seems sensation sense separate sexual Shirley single social society space story suggests things tion turns University Victorian Villette voice wife woman women writing York