Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 63
Precise recollection fails her , leaving only vague bewilderment at the spectacle
of someone , apparently herself , who once suffered at the hands of an
indiscriminate fate . These storms which beset the hapless traveller are irruptions
which ...
Precise recollection fails her , leaving only vague bewilderment at the spectacle
of someone , apparently herself , who once suffered at the hands of an
indiscriminate fate . These storms which beset the hapless traveller are irruptions
which ...
Page 97
For trees are not trees , as Roland Barthes once observed of this most potent
mythological sign . In The Woodlanders they are at once a setting for pastoral
and Romantic revision , and for the revision of Hardy ' s own earlier woodland
idylls ; a ...
For trees are not trees , as Roland Barthes once observed of this most potent
mythological sign . In The Woodlanders they are at once a setting for pastoral
and Romantic revision , and for the revision of Hardy ' s own earlier woodland
idylls ; a ...
Page 115
Once ' her character is abroad ' ( p . 106 ) — once ' a woman steps out of her
domestic tangle to assert . . . her rights to partial independence ' - men ' sight her
for their prey , or at least they complacently suppose her accessible ' ( p . 116 ) .
Once ' her character is abroad ' ( p . 106 ) — once ' a woman steps out of her
domestic tangle to assert . . . her rights to partial independence ' - men ' sight her
for their prey , or at least they complacently suppose her accessible ' ( p . 116 ) .
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