Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 58
conflict between literal and metaphorical : ' we can discern a number of plots ,
narratives , or theatrical “ scenes ” developing ... as a desire for a room of her own
) and the margin of self that eludes the accommodation of this plot of ambition .
conflict between literal and metaphorical : ' we can discern a number of plots ,
narratives , or theatrical “ scenes ” developing ... as a desire for a room of her own
) and the margin of self that eludes the accommodation of this plot of ambition .
Page 72
In Wilkie Collins ' s fiction of the 1860s , this last plot - type competes with the
sensation staple of the villainess driven by ... a debauched , illegitimate aristocrat
who , with the aid of the diabolical villain , Count Fosco , plots to seize her
property .
In Wilkie Collins ' s fiction of the 1860s , this last plot - type competes with the
sensation staple of the villainess driven by ... a debauched , illegitimate aristocrat
who , with the aid of the diabolical villain , Count Fosco , plots to seize her
property .
Page 89
Until it is the right moment for him to re - enter the central plot , claim a chastened
Bathsheba ( now morally prepared for her property to be subsumed ) , and tie the
knot of closure , Gabriel assumes this role of overseer . Consigned to the ...
Until it is the right moment for him to re - enter the central plot , claim a chastened
Bathsheba ( now morally prepared for her property to be subsumed ) , and tie the
knot of closure , Gabriel assumes this role of overseer . Consigned to the ...
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