Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 77
As Reed notes , moreover , while rights to possession are fundamental to the
novel , almost ' no one considers that the gem they all — for one reason or
another - covet is stolen property , that it rightly belongs to men they view as
thieves ...
As Reed notes , moreover , while rights to possession are fundamental to the
novel , almost ' no one considers that the gem they all — for one reason or
another - covet is stolen property , that it rightly belongs to men they view as
thieves ...
Page 89
9 ) and the wagon ' s destination ; and to wonder about the conjunction of
Bathsheba ' s calm self - possession and the iconographies of social or sexual
ruin associated with her laden wagon . It also causes the silent watchers to
wonder ; their ...
9 ) and the wagon ' s destination ; and to wonder about the conjunction of
Bathsheba ' s calm self - possession and the iconographies of social or sexual
ruin associated with her laden wagon . It also causes the silent watchers to
wonder ; their ...
Page 126
A husband has a freehold estate in his wife ' s lands during the joint existence of
himself and his wife , that is to say , he has absolute possession of them as long
as they both live . If the wife dies without children , the property goes to her heir ...
A husband has a freehold estate in his wife ' s lands during the joint existence of
himself and his wife , that is to say , he has absolute possession of them as long
as they both live . If the wife dies without children , the property goes to her heir ...
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action argues authority becomes belongs Brontė called Caroline chapter character claim collection common concern conventional Cranford critical Crossways culture desire Diana difference domestic effect England English equality expressed fact female feminine fiction figure finally Gaskell gender give hand Hardy Hardy's heroine household husband idea imagination important independent individual influence Jane kind ladies land landscape language live London Lucy marriage married Mary material means Meredith Miss Moonstone moral narrative narrator nature never notes novel passion plot political possession present protected provincial question readers reform relations relationship representation represents resistance rhetoric romance seems sensation sense separate sexual Shirley single social society space story suggests things tion turns University Victorian Villette voice wife woman women writing York