Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 15
In Diana Merion , Meredith takes aspects of the dominant and dangerous women
of the sensation novel - Collins ' s earlier sensation villainess , Lydia Gwilt ( in
Armadale , 1866 ) , or Braddon ' s Lady Audley – and turns her into a feminist ...
In Diana Merion , Meredith takes aspects of the dominant and dangerous women
of the sensation novel - Collins ' s earlier sensation villainess , Lydia Gwilt ( in
Armadale , 1866 ) , or Braddon ' s Lady Audley – and turns her into a feminist ...
Page 72
The sensationalism of the sensation heroine originates in these legal ambiguities
. As Margaret Oliphant observed of Braddon ' s Lady Audley ' s Secret , the '
fashionable ' crimes of sensation fiction could only have been possible to an ...
The sensationalism of the sensation heroine originates in these legal ambiguities
. As Margaret Oliphant observed of Braddon ' s Lady Audley ' s Secret , the '
fashionable ' crimes of sensation fiction could only have been possible to an ...
Page 73
The more we perceive the perfectly legitimate nature of the means to produce the
sensation , the more striking does that sensation become . ( 1862 , qu . Page ,
1974 , p . 112 ) It also directly addresses another of the criticisms of No Name ...
The more we perceive the perfectly legitimate nature of the means to produce the
sensation , the more striking does that sensation become . ( 1862 , qu . Page ,
1974 , p . 112 ) It also directly addresses another of the criticisms of No Name ...
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