Mistress of the House: Women of Property in the Victorian NovelThis exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary. |
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Page 11
themselves of it to the utmost as a means of holding women in subjection , by
representing to them meekness , submissiveness , and resignation of all
individual will into the hands of a man , as an essential part of sexual
attractiveness .
themselves of it to the utmost as a means of holding women in subjection , by
representing to them meekness , submissiveness , and resignation of all
individual will into the hands of a man , as an essential part of sexual
attractiveness .
Page 20
This is the context for the novel ' s exploration of the territorial rhetoric of Victorian
sexual separatism . In Shirley sexual difference is explicitly aligned with regional
hostility ; and this alignment provides Brontė with a way of addressing and ...
This is the context for the novel ' s exploration of the territorial rhetoric of Victorian
sexual separatism . In Shirley sexual difference is explicitly aligned with regional
hostility ; and this alignment provides Brontė with a way of addressing and ...
Page 87
... modes of narrative representation in which the heroine either bypasses the
dangerous realm of sexuality altogether in ... of female autonomy in which
economically independent women battle with social conditions and sexual
ideologies that ...
... modes of narrative representation in which the heroine either bypasses the
dangerous realm of sexuality altogether in ... of female autonomy in which
economically independent women battle with social conditions and sexual
ideologies that ...
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action argues authority becomes belongs Brontė called Caroline chapter character claim collection common concern conventional Cranford critical Crossways culture desire Diana difference domestic effect England English equality expressed fact female feminine fiction figure finally Gaskell gender give hand Hardy Hardy's heroine household husband idea imagination important independent individual influence Jane kind ladies land landscape language live London Lucy marriage married Mary material means Meredith Miss Moonstone moral narrative narrator nature never notes novel passion plot political possession present protected provincial question readers reform relations relationship representation represents resistance rhetoric romance seems sensation sense separate sexual Shirley single social society space story suggests things tion turns University Victorian Villette voice wife woman women writing York