Haydn Jahrbuch, Volume 2Herta Singer University College Cardiff Press, 1964 - Music |
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Page 96
... bass line ; but he also intends violoncelli , as the note on Page 180 shows ; yet even in this number ( Finale of Act III ) , the editor marks the bass line only " Basso " . And in the very year in which Lo speziale was composed , we ...
... bass line ; but he also intends violoncelli , as the note on Page 180 shows ; yet even in this number ( Finale of Act III ) , the editor marks the bass line only " Basso " . And in the very year in which Lo speziale was composed , we ...
Page 99
... bass ( No. 44 or No. 10 , where the figure work is evenly divided between the violin and bass ) ; joining in the imitation ( No. 74 ) . It is in the application of these harmonic and accompaniment techniques that Haydn's mastery lies ...
... bass ( No. 44 or No. 10 , where the figure work is evenly divided between the violin and bass ) ; joining in the imitation ( No. 74 ) . It is in the application of these harmonic and accompaniment techniques that Haydn's mastery lies ...
Page 100
... bass lotto . He has made additions and rectifications ( " eindeutige Auslassungen " ) on the basis of analogous spots ( " strenge Analogie " at that ) . In many cases , however , Haydn has had no truck with analogies and has varied a ...
... bass lotto . He has made additions and rectifications ( " eindeutige Auslassungen " ) on the basis of analogous spots ( " strenge Analogie " at that ) . In many cases , however , Haydn has had no truck with analogies and has varied a ...
Contents
J HARICH | 1 |
Haydn in the diaries of Count Karl von Zinzendorf | 45 |
SOMFAI | 75 |
3 other sections not shown