Haydn Jahrbuch, Volume 2Herta Singer University College Cardiff Press, 1964 - Music |
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Page 124
Herta Singer. phony's first movement strikes us with its persisting basses wich , though linked with the past , also look foreward to the equally Janus - faced Symphony No. 22 , while the very first melodic intervals are strongly ...
Herta Singer. phony's first movement strikes us with its persisting basses wich , though linked with the past , also look foreward to the equally Janus - faced Symphony No. 22 , while the very first melodic intervals are strongly ...
Page 130
... first class ; the players easily go from lyrical tenderness ( slow movement in E flat ) and ethereal beauty ( slow movement in D ) to the " motoric " and rhythmic drive which characterizes both the finales , especially the last one ...
... first class ; the players easily go from lyrical tenderness ( slow movement in E flat ) and ethereal beauty ( slow movement in D ) to the " motoric " and rhythmic drive which characterizes both the finales , especially the last one ...
Page 136
... first bit of the Nelson Mass to have been recorded was the " Qui tollis " , issued thirty years ago by that enterprising Austrian firm , Christschall , to whom we owe the first ( and very good ) complete recording of Mozart's Coronation ...
... first bit of the Nelson Mass to have been recorded was the " Qui tollis " , issued thirty years ago by that enterprising Austrian firm , Christschall , to whom we owe the first ( and very good ) complete recording of Mozart's Coronation ...
Contents
J HARICH | 1 |
Haydn in the diaries of Count Karl von Zinzendorf | 45 |
SOMFAI | 75 |
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