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Original Poetry.

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I know not who or whence thou art,
Yet feel thy influence o'er my heart;
Thy song so sweet-so rich, though soft,
Its dying cadences-hath oft

In thraldom sweet my feelings held,
And my brow's gathering gloom dispell'd;
For when, with soul-depressing power,
Pale melancholy rules the hour,
The breathings of thy plaintive lyre
Can soft and tender thoughts inspire;
Can blunt affliction's rankling dart,
And touch the pulses of the heart,
Like a departed spirit's tone
Breath'd to some long-lov'd earthly one.
And when thou sing'st of pleasures fled,
Or of the once-lov'd, still-lov'd dead;
When thou describ'st those realms of light
Which are too pure for mortal sight;
Where those, who here were doom'd to sever,
Shall be united, and for ever;
Where all the good of ages past
In holiest love shall meet at last:
The soul, delighted with the theme,
Receives from thy sweet song a gleam
Of worlds, that yield more perfect bliss
Than e'er can be conceiv'd in this;
Glimpses of brighter scenes than lie
Within the scope of human eye;
And visions of that radiant shore,
Where care and sorrow vex no more;
Where countless hosts of angels throng,
And pour the never-ending song,
TO HIM who sits enthron'd in light;
Ineffable, and infinite.

Oh! long may'st thou continue the Sweet source of such sweet melody: Still let thy pure and hallow'd muse Its touching harmony diffuse;

For songs like thine, to virtue given, Fall on the heart like dew from heaven.

B. N.

THE OCEAN.

(From MR. BIRD's poem of "DUNWICH, A TALE OF THE SPLENDID CITY," now in the press).

BEATS there a heart which hath not felt its core
Ache with a wild delight, when first the roar
Of Ocean's spirit met the startled ear?
Beats there a heart so torpid, and so drear,
That hath not felt the lightning of its blood
Flash vivid joy, when first the rolling flood
Met the charmed eye in all its restless strife,
At once the wonder and the type of life!

Thou trackless, dark, and fathomless, and wide
Eternal world of waters !-ceaseless tide
Of power magnificent! unmeasured space,
Where storm and tempest claim their dwelling-
place!

Thy depths are limitless!-thy billows' sound
Is Nature's giant voice-thy gulph profound
Her shrine of mystery, wherein she keeps
Her hidden treasures-in thy caverned deeps
Is stored the wealth of nations, and thy waves
Have been are now-and will be, dreary graves
For countless millions!-Oh! thou art alone
The costliest footstool of God's awful throne,
The mighty tablet upon which we see
The hand of power-the sign of Deity!

THE WOOD NYMPH.

THE summer leaf has left the bough,
And darkly frowns the lowering sky;
All lovely things are fading now,
And wintry winds sound drearily.

Stripped of its green umbrageous shade,
The living woof of buds and flowers,

How bare and bleak the forest glade,

How scathed and changed its fairy bowers.

The angry spirits of the woods,

With sullen voices chafe the air; And, hoarsely answered by the floods, Breathe nought but fury and despair.

Hush'd is each tender soothing note,

Which, borne upon the summer breeze, Would o'er the calm fair waters float,

Soft as love's sweetest phantasies.

And she is gone, that blessed one,

Who, often heard, though seldom scen, When brightly gleamed the noon-tide sun, Breathed music through the leafy screen!

And in the glittering golden ray,
I've shaped her form of life and light;
Yet still the pageant flashed away,

For mortal eye too keenly bright.
But she was near-I felt her sighs
In every perfumed breath that stole,
Feeding a thousand reveries

Within my rapt enchanted soul.

I heard her voice, when all was mute,
Save some bright insect's ceaseless wing;
Like echoes from a fairy lute,

Or fays in flower-bells whispering.
Now other visions haunt the wild,

Now other sounds are on the breeze; And nature's fair and gracious child Gives place to darker mysteries. EMMA ROBERTS.

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CHURCH, IN SUFFOLK.

WHAT, in the olden time, hast thou seen,
Dark ruin, lone and gray?

Full many a race of man from the green
And bright earth pass away!

The organ has pealed in these roofless isles,
And priests knelt down to pray,

At the altar where now the daisy smiles
O'er their silent beds of clay.

I've seen the strong man, a wailing child,
By his mother offered here;

I've seen him a warrior fierce and wild,
I've seen him on his bier;
His warlike harness beside him laid,

In the silent earth to rust,
His plumed helm and trusty blade
To moulder-dust to dust!

I've seen the stern reformer scorn

The things once deem'd divine;
And the bigot's zeal with gems adorn
The altar's sacred shrine !

I've seen the silken banners wave,
Where now the ivy clings,
And the sculptur'd stone adorn the grave
Of mitred priests and kings!

I've seen the youth in his tameless glee,
And the hoary locks of age,
Together bend the pious knee,

To read the sacred page;

I've seen the maid with her sunny brow
To the silent dust go down-
The soil-bound slave forget his woe-
The king resign his crown!

Ages have fled and I have seen

The young-the fair-the gayForgotten as they ne'er had been, Though worshipped in their day;

And schoolboys here their revels keep,
And spring from grave to grave,
Unconscious that beneath them sleep

The noble and the brave!

Here thousands find a resting place,
Who bent before this shrine;
Their dust is here-their name and race
Oblivion now are thine!

The prince, the peer, the peasant sleeps
Alike beneath the sod;

Time o'er their dust short record keeps, Forgotten, save by God!

I've seen the face of nature change,

And, where the wild waves beat, The eye delightedly might range O'er many a princely seat; But hill, and dale, and forest fair, Are whelm'd beneath the tideThey slumber here, that could declare Who owned these manors wide! All thou hast felt-these sleepers knew ; For human hearts are still,

In every age, to nature true,

And sway'd by good or ill;
By passion rul'd, and born to woe,
Unceasing tears to shed;

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ROBERT KERR PORTER, IN SOUTH AMERICA, ON HIS WIDOW HOOD.

RIPE clusters, pluck'd in sunny prime,

Will often re-appear,

To cheer the board in northern clime,
When winter spoils the year! .
Again, by grace divine,

To suff" ring man are given
Past hours of well-spent time,

The fruit preserved in heaven!
Such num'rous hours are thine,
O'er-look'd in hope's gay light;
But now disclosed, they shine
The stars of sorrow's night!
With mournful tenderness,
Fond friendship's distant band
Now dread thy woe's excess,
Unsooth'd in stranger land;
But friendship's lovely flower,
The growth of every clime,
Springs swift in sorrow's bower,
Nor wants the dews of time!

Arise! the new-born year!

A star of peace to thee! And may no cloud, nor tear, Its smiling circle see!

H. O. C.

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rial, bouillonnés; over which are placed,
obliquely, half wreaths of flowers, thickly
grouped together; and formed of Bengal
roses-
s-jonquil blossoms, without foliage,
and the stalks imperceptible-blue hya-
cinths-with a very small portion of green
leaves. The body is of white satin, with
drapery across the bust, à la Sévigné, of

A DRESS of gros de Naples, the colour, camelopard yellow, with one broad flounce round the border, pinked in scallops, and headed by a full frill of the same. A rich shawl of Oriental cachemire envelopes the form, and is of a dark myrtle-green, || with a very splendid and broad border of lively and variegated colours. The bon-crêpe-Aerophane, as are the sleeves, which net worn with this dress is of black velvet, of becoming and moderate dimensions, with a narrow black blond at the edge of the brim, set on almost straight. The crown of the bonnet is delicately ornamented with black velvet and blond; and the latter, being of an open texture, imparts a lightness to this bonnet which is peculiarly graceful. Chinese roses also enliven its sombre appearance, and are very elegantly scattered among the trimmings of blond and velvet. The bonnet is tied under the chin, in a bow on the right side.

CARRIAGE DRESS.

A PELISSE of satin, of a colour between a lead and a slate-colour, fastened down the front by straps and gold buckles. The sleeves en gigot. The body is made plain, and over, from the throat, falls a collar, à la Chevalière, of India muslin, richly embroidered; which is surmounted by a triple ruff of fine lace. The hat is of satin, the colour, bird-of-Paradise yellow; and it is lined with crimson velvet, and slightly ornamented with that material, in front of the crown; the crown adorned towards, and on the summit, with yellow satin ribbon, richly figured with black. Two white esprit feathers are added to this hat: one is placed on the top of the crown, on the right side, the other on the left, nearer to the base. The strings float loose.

BALL DRESS.

A DRESS of white crêpe-Aerophane, with two rows at the border of the same mate

are short and full; the fulness confined by half wreaths of flowers, on a smaller scale, as those on the skirt, but perfectly corresponding with them. The hair is arranged in very full clusters of curls on each side of the face; the bow is rather small, consisting only of two loops of hair, and not much elevated: at the base of this is a white rose; and behind the bow, towering above it, is a splendid bouquet, || consisting of scarlet, and white, double garden poppies, ears of corn, and spiral white flowers. The ear-pendants are gold.

EVENING DRESS.

A DRESS of painted India satin, in stripes of etherial blue, or of bright grass-green, on a white ground, figured between the stripes with variegated spots of Indianred, and other lively colours. Round the border are bouquets of white marabout feathers, fastened together by rosettes of broad satin ribbon, the colour of the stripes. The corsage is à la Circassienne; with short, white satin sleeves, over which are cleft mancherons, à la Perse, of the same material as the dress. The waist is incircled by a rich figured ribbon, the colour of the stripes. The hair is arranged in a very luxuriant style, in curls and bows: placed obliquely, in front, is a superb diadem ornament of very large pearls, set à l'Antique; beneath which ornament, nearer to the forehead, is a braid of hair, which relieves, by partially separating, the exuberance of curls in front. Numerous marabout feathers play over the head, in various directions. A

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Pablished by GB Whittaker for La Belle Assemblée N°19 new series Marchl.1828

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