Cursory Remarks on Tragedy, on Shakespeare and on Certain French and Italian Poets, Principally Tragedians... |
From inside the book
Results 1-5 of 16
Page vi
... persons , for the luxuries of our tables no region is too distant to be explored , no fea too boisterous to be attempted ; whilst the circumfcribed spot , which we inhabit , is thought to be amply provided with all that is requifite for ...
... persons , for the luxuries of our tables no region is too distant to be explored , no fea too boisterous to be attempted ; whilst the circumfcribed spot , which we inhabit , is thought to be amply provided with all that is requifite for ...
Page 19
... person , of whom it is but the inanimate and motionless image , and at the fame time affert that we cannot be deluded by any living reprefentation into a belief , that the distressful countenance , fupported by words and actions per ...
... person , of whom it is but the inanimate and motionless image , and at the fame time affert that we cannot be deluded by any living reprefentation into a belief , that the distressful countenance , fupported by words and actions per ...
Page 21
... person who feems to be un- happy . It appears therefore that there is a certain degree of delufion , tran- fient and momentary though it be ; for as foon as we begin to reflect , our pity fubfides ; our judgment informs us we have been ...
... person who feems to be un- happy . It appears therefore that there is a certain degree of delufion , tran- fient and momentary though it be ; for as foon as we begin to reflect , our pity fubfides ; our judgment informs us we have been ...
Page 25
... person who feems to be un- happy . It appears therefore that there is a certain degree of delufion , tran- fient and momentary though it be ; for as foon as we begin to reflect , our pity fubfides ; our judgment informs us we have been ...
... person who feems to be un- happy . It appears therefore that there is a certain degree of delufion , tran- fient and momentary though it be ; for as foon as we begin to reflect , our pity fubfides ; our judgment informs us we have been ...
Page 39
... person , of whom it is but the inanimate and motionless image , and at the fame time affert that we cannot be deluded by any living representation into a belief , that the diftrefsful countenance , supported by words and actions per ...
... person , of whom it is but the inanimate and motionless image , and at the fame time affert that we cannot be deluded by any living representation into a belief , that the diftrefsful countenance , supported by words and actions per ...
Other editions - View all
Cursory Remarks on Tragedy, on Shakespeare and on Certain French and Italian ... William Richardson,Edward Taylor No preview available - 2016 |
Common terms and phrases
abfurd Æneid Affur againſt Agamemnon Alzira anguiſh antients Apollonius Rhodius Arface beauties becauſe Calaïs cauſe ceal cenfure character Chloé choruffes confequence defign deſcription diſcovering dramatic compofitions Engliſh Ennius expreffing expreffion faid fame fays feems fenfe fenfibility fentiments fhall fiery firſt fituation fome fometimes French ftage fubjects fuch fuppofe furely greateſt Grecian guage herſelf himſelf hiſtory Homer HORACE imitated inſtance intereſting Italian itſelf jaloux veut épargner jours juſtice leaſt lefs loſe Lucretius LYDIE merit Merope miſtaken moſt muſt be acknowledged myſelf nature neceffarily neceffary Ninus obferved occafions Pacuvius paffages paffions perfon perfuaded the reader petere inde phontes pity pleaſe pleaſure poet poffible preſent racter reaſon refpect repreſented ſay ſcene ſee ſeems Semiramis Shakeſpear ſhall ſhe ſhould Sophoniſba ſpeak ſpeech ſtage ſtriking ſuch ſuppoſe Taffo themſelves theſe thoſe tion Titian tragedian tragedy tragic tranflated Triffino unhappy unleſs uſed Voltaire whilſt whofe whoſe
Popular passages
Page 39 - Than wishest should be undone. Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
Page 39 - tis not to me she speaks. Two of the fairest stars in all the heaven Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head?
Page 10 - Spit, fire! spout, rain! Nor rain, wind, thunder, fire, are my daughters: I tax not you, you elements, with unkindness; I never gave you kingdom, call'd you children, You owe me no subscription: then let fall Your horrible pleasure; here I stand, your slave, A poor, infirm, weak, and despis'd old man.
Page 39 - Give me my Romeo: and, when he fhall die, Take him and cut him out in little ftars; And he will make the face of heaven fo fine, That all the world fhall be in love with night, And pay no worfhip to the garifh fun...
Page 4 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
Page 5 - ... where is the absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre...
Page 95 - Je donnerai les miens pour elle. LYDI E. Le jeune Calais ; plus beau que les amours ; Plaît feul à mon ame ravie. Si le deftin jaloux veut épargner fes jours , Je donnerai deux fois ma vie. HORACE. Quoi...
Page 11 - ... than fuppofe the prefence of mifery, as a mother weeps over her babe, when fhe remembers that death may take it from her. The delight of tragedy proceeds from our confcioufnefs of fiction ; if we thought murders and treafons real, they would pleafe no more. Imitations produce pain or pleafure, not becaufe they are miftaken for realities, but becaufe they bring realities to mind.
Page 134 - Qual i fumi sulfurei ed infiammati escon di Mongibello e '1 puzzo e '1 tuono, tal de la fera bocca i negri fiati, tale il fetore e le faville sono. Mentre ei parlava, Cerbero i latrati ripresse, e l'Idra si fé...
Page 72 - HORACE. Plus heureux qu'un Monarque au faîte des grandeurs, J'ai vu mes jours dignes d'envie : Tranquilles, ils couloient au gré de nos ardeurs ; Vous m'aimiez, charmante Lydie. LYDIE. Que mes jours...