Lectures on Shakespeare, Volume 1Baker and Scribner, 1848 - Dramatists, English |
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Page 44
... bodies it forth in more trans- picuous and more expressive forms . Accordingly , Goethe has compared his characters to watches with crystalline cases and plates , which , while they point out with perfect accuracy the course of the ...
... bodies it forth in more trans- picuous and more expressive forms . Accordingly , Goethe has compared his characters to watches with crystalline cases and plates , which , while they point out with perfect accuracy the course of the ...
Page 45
... body knows , is said to have seized , in the falling of an apple , the principle from which , with a few data gained by study and observation , he demon- strated , in the retirement of his closet , the PERCEPTIVE POWERS . 45.
... body knows , is said to have seized , in the falling of an apple , the principle from which , with a few data gained by study and observation , he demon- strated , in the retirement of his closet , the PERCEPTIVE POWERS . 45.
Page 46
... bodies . The same insight which Newton thus exercised on one subject , Shak- speare seems to have exercised on every subject that came before him . He thus dwelt in a world , not merely of material appearances , but of vital powers ...
... bodies . The same insight which Newton thus exercised on one subject , Shak- speare seems to have exercised on every subject that came before him . He thus dwelt in a world , not merely of material appearances , but of vital powers ...
Page 52
... body than nature hath assigned it . Thus , in Shakspeare's hands , thought truly incarnates itself in words , and words become alive with the spirit of thought ; into the body of language he breathes the breath of in- tellectual life ...
... body than nature hath assigned it . Thus , in Shakspeare's hands , thought truly incarnates itself in words , and words become alive with the spirit of thought ; into the body of language he breathes the breath of in- tellectual life ...
Page 53
... body forth , giving it " a local habitation and a name . " Coleridge calls him " an omnipresent creativeness ; " and the more we think of this expression , huge as it seems , the truer I suspect we shall find it . For no sooner does he ...
... body forth , giving it " a local habitation and a name . " Coleridge calls him " an omnipresent creativeness ; " and the more we think of this expression , huge as it seems , the truer I suspect we shall find it . For no sooner does he ...
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Common terms and phrases
abstrac Accordingly affection altogether ancient appears beauty Ben Jonson better breath character Classic Comedy of Errors conceive countess course critics culture Daugh divine doth doubtless drama duke equally excellence exem expression faculties Falstaff fancy feelings female former genius gentle Gentlemen of Verona give grace hand happiness harmony hath heart heaven honour human Hume humour individual instruction intellectual irresistible grace king laws less living look Love's Labour's Lost means ment mind moral Nahum Tate nature ness never noble nosegays objects once original passion perfect perhaps persons Petruchio play poet poet's poetry pride prince principle probably propriety reason rich scene scorn seems sense sentiment Shak Shakspeare Shakspeare's Shylock sometimes sonnets sort soul speak spirit sweet sympathies taste thing thought tion tongue true truth ture unfolds utter Viola virtue Warwickshire wherein whole WINTER'S TALE wisdom word worth
Popular passages
Page 219 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 273 - Nature never did betray The heart that loved her ; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues...
Page 304 - There are a sort of men whose visages Do cream and mantle like a standing pond...
Page 219 - Above their functions and their offices. It adds a precious seeing to the eye ; A lover's eyes will gaze an eagle blind ; A lover's ear will hear the lowest sound, When the suspicious head of theft is stopp'd ; Love's feeling is more soft and sensible, Than are the tender horns of cockled* snails...
Page 14 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Page 19 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 303 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Page 46 - Stranger! henceforth be warned; and know, that pride, Howe'er disguised in its own majesty, Is littleness ; that he who feels contempt For any living thing, hath faculties Which he has never used ; that thought with him Is in its infancy.
Page 20 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace.
Page 15 - They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play.